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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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Finally arrived : ) Here are the 1st clips with real footage popping up now: And more yet randomly, so not exactly made for clickbait (his best selected shots speak by themselves), from another source, here's the same level of outcome: Last but not least, this impressive set of specs for such 1-inch CMOS, 50MP capture device under 250g match both the most real expectations to the wildest: https://www.dji.com/pt/mini-5-pro/specs -
Any of Canon's recent MILCs are more than enough for your needs. - Cheapest for interviews: R8 or R7 (HD is also very good on both of these if you need to save on SD cards) - Best for Docs and everything else: R3 (for the money it's a lock for just about any application). You already know the best qualities of these cameras: rock solid AF, great color science, best in class reliability and dead simple usability. New Nikons are also very very good in this regard (Z5M2, Z6M3, Z8, Z9). Just try to stay with first-party lens options. For Canon you can add the official adapter and get the whole EF catalog. Maybe not the most exciting models, but if you're looking for real world usability it's hard to go wrong with the big two right now. -
Gerald got an hour and 53 mins at 4K XF-AVC on an LP-E6P batt. -
Nikon and Panasonic to be precise 😉 But its not new thing. Shilltubers have been like this for years. What I find interesting is.. what Canon engineering are doing exactly? I mean how you get 1 stop lower DR on a BSI sensor, compared to a semi stacked sensor known for its low DR? -
Agreed and one of the reasons why as much as I like the look of the new Canon, the lack of IBIS is a no go for me and if that puts me in the camp of being a non-serious filmmaker, 🤷♂️ I also do not want to and will not rig anything up so the micro hdmi I could not care less about.
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