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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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By eatstoomuchjam · Posted
Speaking of disconnected, I recently got curious how much the GH7 had come down in price. I guess it's still $2,200 new (usually) but on sale for about $1,800 now which is a close match for the going price used? But... are there people out there still spending $2,200 on a GH7? I'm not saying it's a bad camera, but I'd really have expected the new prices to be <1500 by now, especially given that just about anybody who was willing to buy a GH7 at anywhere near $2,000 probably already did. (That and I've sort of always wanted one and really want the used price to be closer to 800 than 1800) That's a fantastic deal! Going rate is a lot more. -
By fuzzynormal · Posted
Regarding Andrew's original post, unfortunately for many of the camera companies, not just Panasonic, I'm a consumer that feels pretty comfortable being behind the curve in exchange for bargains. Meaning, I only buy older used cameras. Just bought another GH5 for $350, for instance, to help my wife do YT content creation. Not only is that cheap, but it's still better than anything else I could buy brand new for under $400. Are there enough people like me? Combine like-minded-folks and typically obtuse Japanese attitudes about the global market and the magic 8-ball sez "Outlook Not So Good" -
Man that H265 doesn't look all that great beside the other formats -
The reality. I am sure you can get more out of R3D than Lumix log, but at 5x the data rate. But then again, I have seen the size of the Lumix raw files and they are over 10x log, so err, no thanks. The actual reality is that no one will notice, especially as all they are interested in these days is the 60 second short on social media that can easily be shot on a phone or action cam...which coincidently, is exactly what I will be doing next year... Should we care? Yes we should...but always within the realms of reality and that reality for me is I'm not going to be shooting data rates 5-10x what I already have that are already more than good enough, because where does it stop? I still love the ZR, - I think it is THE camera of the year, all factors considered, but mainly for it's form factor and rear LCD, although I do wish that was tilt not flip out, but hey ho, not buying one so what does my opinion matter! -
R3D NE, NRaw, Prores and H.265 compared by Cinema Tools. Not that much difference between R3D and NRaw, but not sure if they exposed according to this Recommended Zebra pattern values for R3D NE footage at Different ISO levels document. https://download.nikonimglib.com/archive8/ocJ930074UNE07okE3j44a40zA01/R3D_NE_datasheet_for_Zebra_pattern_(En)01.pdf
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