EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

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  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

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  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

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  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    3,030
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  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

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  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color for Sony cameras
EOSHD Pro Color for Panasonic cameras

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  • Posts

    • Hello There, i was wondering if there is somebody who has experience with both muslin and polyester green screen materials? -Is there any disadvantage of using Polyester green screen? -Is there any disadvantage of using cotton/muslin green screen material?   I am thinking of buying Trevira cs: https://www.gerriets.com/en/television-cs-chromakey-fabrics   Thanx in front greetz lenny
    • Thanx for the great tips. Unfortunately i am not able to go for long focal lengths, due to the size of my room. It's only 50m2   Thanx, that's a valuable lesson to me :-) How do you mean this exactly? Some people advice me to film flat and do the shadows and highlight in post. And others advice me to do the lighting in the film room. I am quite confused about this and i don't know which would be best? Thanx in front greetz Lenny
    • My daughter wanted to make a movie, so we made this. I don't really expect anyone to watch a video this long, but it's really for the family anyway. Shot on the Canon EOS M with Magic Lantern 3x bitrate and the Canon FD 28mm 2.8 and the RMC Tokina 17mm 3.5
      Graded with FilmConvert, except the "Lobster Claw" scene which was the off the card color (Ive Lotus Film PS) with grain added.
    • It's been rumored since at least 2015, what are they waiting for, Netflix 4K approval?   Seriously, hopefully they'll add some serious competition for AF on cinema level cameras (Canon has DPAF on the C700). The F65 had (has) alias-free 4K and color that can compete with ARRI, add FF and AF and it will be very competitive (especially with an E-mount option).
    • True, though most of the time I find the cropping leeway quite sufficient. The last shot in my reel below was shot on a pistol gimbal with the 12mm and pinches in to a medium angle during the shot.