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A_Urquhart

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A_Urquhart last won the day on October 6 2018

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  1. FWIW: https://www.4kshooters.net/2019/05/01/arri-alexa-mini-vs-bmpcc4k-side-by-side-footage-comparison/
  2. The EX3 also says 'CineAlta' on it but it definitely wasn't designed as a Cinema Camera. The Sony PDW-F1600 XDCAM deck also says 'CineAlta' in it but would anyone really use it for Cinema Use? Exactly my point, the OP was wanting one camera with ALL the features mentioned in a 'Cinema Camera'. I was merely pointing out that packing all those features in, is not the highest of priority when a company is designing an affordable 'Cinema Camera' Yep, some high end Cinema Cameras are now coming close to providing it all, but then not in an affordable/ small package that most people here want. The Alexa Mini was designed primarily to fly on drones, Russian Arms etc. Remote control, motorised ND's come in very handy for those shoots!
  3. Ok, I should clarify, I was taking past tense as my comment would suggest. Yes, while the cinema cameras (not all the cameras you mention would be classed as 'Cinema Cameras' but anyway.....) you mention do have internal ND's or the option to add single ND filters behind the lens, this is only starting to happen now so not sure you can expect all new cameras at the price points we are discussing here to have the same tech. Just to specify some of the cameras you mention: Alexa Mini, OK has internal Nd's but do you think the OP want's to use a 5 pin lemo breakout cable for audio. Sure buy a Wooden camera XLR module but the Alexa doesn't come with good audio in mind out of the box to suit the self shooter. Even with the Wooden Camera XLR module, I wouldn't want to be a solo shooter using an Alexa Mini and expecting to plug mic's straight into the camera and get great, usable audio other than for a scratch track. Alexa LF: You can place a single ND filter behind the lens but it is not as quick and easy to change like the filter wheel on a more broadcast oriented camera. Arri Amira: Arri designed this for a single operator. Not sure Arri market it as a Cinema camera but.... Sony F5, more aimed at the Broadcast market. It's a broadcast workhorse. Either way, I agree that it would be nice, but don't get angry when a company releases a 'Cinema Camera' and it doesn't have some of these features.
  4. While I hear what you're saying...what you are asking for is a MFT 'broadcast camera'. Cinema cameras have never really cared for internal ND's, 4 channels of audio or great quality audio for that matter. I said it when the Pocket4k came out, but if Blackmagic released a Pocket4K Pro with internal ND's , a tilt-able screen, and a form factor more like a small FS5 or Or Canon XC line camera, they would see like hotcakes.......and maybe the should just call it the Blackmagic Pocket4k Pro. Don't use the words 'Cinema' or 'Broadcast' in the name at all. I really don't agree with this. A Cinema Camera is made very differently to a camera you would use to shoot weddings. The Arri Alexa SXT for example, has most of the camera setting controls and LCD screen for checking settings, on the opposite side of the camera to where the DP or Operator is as the 1st AC generally changes these parameters. A cinema cameras main focus is image quality. For example, the reason they generally don't have built in ND's is because a good quality ND filter set used in cinema, costs more than the Pocket4k or any other VDSLR alone. I see what you are saying, and while yes, you can use some cinema cameras like a Red (due to it's small form factor), to shoot weddings, I think people are really expecting one camera to do everything from shooting weddings to shooting feature films and to appeal to everybody which is just not going to happen any time soon, especially at the low end price point and with a form factor of a small VDSLR. While sure, you can shoot a feature film for cinema screening on pretty much any modern day video camera (the Ursa Mini Pro has internal ND's as does the FS5 and both of those cameras would look fine on the big screen), we should stop using the term 'cinema camera' when what we are looking for is a small camera that is suitable for self shooting and has all the bells and whistles of a modern DSLR. In the same way as many people who pick up a DSLR call themselves 'DP's' when really, they have never had to plan lighting set-up's, direct a team of gaffers etc. We use these terms because they sound cool but it just causes confusion. Sure, its might be cool to say to the client that the camera you are using to shoot their wedding is what they shot 'XYZ blockbuster feature film' on, but is it the right tool for the job? This! I have now told three friends with Pocket4K's to buy a monopod after they switched from VDSLR's with IBIS to the Pocket4K. These friends had never used monopods before and all three came back to me after a day of shooting saying how amazed they were with how easy it was to shoot with and that they far preferred the subtle look of motion when using the monopod compared to when they shot with VDSL's that had IBIS. Monopods are great for quick shots and super versatile. Get one with the three feet at the end like the Surui 204 series.
  5. While there seems to be quite a few complaints about BRAW from heavy forum users, I've now worked on two high profile Ad campaigns that have used BRAW and haven't heard a DP complain about it. At the same time, I've spoken first hand to VFX guys and girls that have said that they are really happy with the new codec. Here's a few pics of the P4K being used as a B Cam on a recent car ad for those interested.
  6. Completely agree. You shouldn't have to use a work around, a feature should work properly and it seems the Phantom power doesn't at the moment.
  7. Yes, Resolve isn't perfect either, but as an edit suite it is in it's infancy and the improvements come thick and fast. Adobe is an old product so should have its shit together by now. Resolve isn't perfect, but I have more hope in it than Adobe.
  8. Yep, the slight noise is too much for me too. The P4K is a B Camera for me so I rarely need anything more than scratch audio from it but I too will be getting in touch with BMD about the issue. Not really good enough as you say. Just out of interest, have you tried testing it while the camera is powered from the mains?
  9. Me too. I'm using Resolve Studio for most of my own projects now. Used Adobe at a post house with seven suites and had constants issues with Premiere and Creative Cloud accounts. There is also a large scale documentary currently being cut here that I worked on that had to have an Adobe 'Technician' flown in from the other side of the world to help 'resolvešŸ˜‰' so many issue as, the project/ suite was unworkable. Premiere is just not fit for large scale projects. While I haven't had to call tech support for Resolve yet, the way BMD has dealt with issues I have had with software relating to Decklink Cards, I am slightly reassured they will deal with any issues far better than Adobe. As a long term Adobe user, they are not getting any more of my money. Terrible product, terrible customer support.
  10. Ive just done a test on mine using a Rode NTG3. Yep, with phantom power, there is a slight noise as you describe. Not really audible at 50% level but definitely audible at 90% level. Hmmmm, not ideal! Basic, but nice little comparison of the P4K to the UMP : https://youtu.be/EmuDLGCm7As
  11. Not sure that is correct. The Studio version can exploit multiple GPU's where the free version is limited to a single GPU. A good article on hardware options for Resolve can be found here: https://www.pugetsystems.com/recommended/Recommended-Systems-for-DaVinci-Resolve-187/Hardware-Recommendations And this for a good comparison of GPU's using real world video editing scenarios: https://www.pugetsystems.com/labs/articles/DaVinci-Resolve-14-NVIDIA-GeForce-vs-AMD-Radeon-Vega-1213/ If you're not bothered about Premiere, the AMD graphics cards are a little cheaper than the GTX series and still a good option.
  12. It existed a while ago....Genus showed a prototype years ago....... https://petapixel.com/2015/09/17/this-is-a-prototype-of-an-electronically-controlled-nd-filter-lens-adapter/ It would be interesting to find out why nothing came of it, was the tech/ patent bought out by someone or is the tech just not financially viable in a lens adaptor?
  13. I bought Wasabi batteries and while they never got stuck in the camera, the camera did shut down after about 25mins and with the meter showing 75% full so I don't think it has anything to do with the swelling. What I did find is that if I put the Wasabis in with a full charge and left the camera on, the meter would start at 100% and then shut down at 75% 25mins later. But, if I did the same and turned the camera off after 15mins or so (meter showing around 85% left) and then back on, the meter would then show 8% or so charge and shut down five or so minutes later. Seems that the meter was accurate after powering down the camera and rebooting. This only happened with the Wasabis (which I have now sent back). With Genuine LP-E6N, I'm not having any issues.
  14. The Titla G2X set up looks ideal.......shown with the P4K too!
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