EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    13,336
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,208
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,397
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    1,834
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    379
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Sony FS700... worthwhile investment in 2016?
      I get what you're saying. The FS700 is really nice to use because of the slow motion, internal ND, XLR, and the 4k. The sony FS7 seems to nail color a lot better and there's some magic cameras like the Sony F3 that just have beautiful color. I use the c300ii at work, the 5D raw for personal stuff, and I just recently picked up a micro cinema camera as well. The only camera I struggle with color wise is the FS700. It doesn't matter how flat the image or how many bits I am supposedly getting... The first one is 4K FS700, the second is 1080p Black Magic Micro. I just can't get a film look out of the Sony. It always makes skin look too white, and if I warm up the scene, everything gets murky looking. I have some 4K footage currently uploading if anyone is interested in grading it, I would love to see your results. That being said, the Sony FS700/7Q is not a bad investment. I doubt the value will drop too far below what it is currently. It is probably good for another 4/5 years, which is insane because it's already 4/5 years old.  
    • Cheap wide
      ^biggest downside with that lens, is attaching filters. I've heard that some will shave down the hood so that they can use a matte box. Still, something to consider.
    • Short HDMI Cable?
      Not tried any of these, just what I found: 6inch: http://www.ebay.com/itm/SHORT-6-INCH-SUPER-HD-2-0a-HDMI-CABLE-1080P-2160P-4Kx2K-18GBPs-for-ROKU3-HDTV-/301482963024 http://www.ebay.co.uk/itm/15cm-SHORT-High-Speed-Ethernet-1-4v-HDMI-LEAD-TV-CABLE-GOLD-FULL-HD-1080p-/351596639258 4 inch http://www.ebay.co.uk/itm/10cm-SHORT-HDMI-LEAD-0-1M-HIGH-SPEED-ETHERNET-CABLE-GOLD-FULL-HD-1080p-for-TV-/331023715139 http://www.ebay.co.uk/itm/SHORT-10cm-HDMI-LEAD-to-RIGHT-ANGLE-HDMI-90-DEGREES-TV-CABLE-FULL-HD-1080p-v1-4-/351263804723
    • Petition for Samsung NX1 hack
      This got me sooooooo excited 😂😂
    • Super mobile editing workspace: Need your ideas!
      Not sure which NLE you use, but for a mobile-friendly setup, Premiere's next update is supposed to greatly improve the way the software handles proxy editing, especially on less-powerful, more portable setups, which could definitely be useful for you:  http://blogs.adobe.com/creativecloud/whats-coming-next-in-adobe-premiere-pro-cc-and-media-encoder-cc/