EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    14,417
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,331
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,485
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    3,040
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    885
    posts

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EOSHD C-LOG and Film Profiles for All Canon DSLRs
EOSHD Pro Color for Sony cameras

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  • Posts

    • Premiere Pro CC 2017 Released
      SOOOO freakin frustrating to PAY $50. EVERY month for a professional editing software that is soooo full of bugs and crashes ALL THE TIME on EXPORT, RENDERING or whenever... ADOBE... get your act together and fix ALL the issues before charging us MONEY FOR SOMETHING THAT DOESN'T WORK!!! ARGGGGHHHH Do you have any idea how much MONEY and valuable working hours we lose with your buggy Premiere PRO CC (Whatever version) it never worked properly... and yes I have a super PC with plenty of memory, super graphics card, SSD drives etc.
    • Adapter stacking on Metabones speedbooster: anyone have experience?
      I'm a big fan of the RedRock Micro lens adapter flanges. They are designed to be "dedicated" to a lens and lock down (gently but very firmly) with setscrews. Eliminates wobble, focus is bang on, and they don't get lost. Plus they are cheap enough to keep one on each lens you want. I have them all for Canon EF, have an EF speed booster, and a variety of lenses (Contax, Nikon mostly) that they stay on permanently. 
    • Updated: Zhiyun Crane Jitter Issue Solved (well, sort of)
      Ah, that gizmo.  Thanks for the tip!  I've never tried it but with some tweaking, I think it has some potential of pushing the weight back on a front heavy camera.  I'll try it when I need to mount the Nocticron + GX85 on the Crane.
    • The £3-£4K Market
      We'll have to wait and see. I can afford a camera double the price of what the GH5 will likely retail for, so as such, can probably purchase a superior camera.  So you can still record both 4K and RAW in 24, 25, 30fps etc to the Atmos? Is there any way of purchasing an external recorder that isn't a monitor, but can still record the above formats? I have a SmallHD 501, which I absolutely love, and plan to continue using, granted whatever I upgrade to has HDMI out - so running 2x monitors seems a little overkill, all be it they'd have difference uses of course, one for operating, the other for essential external recording ..  The FS700 is a solid suggestion though. Would you guys say the image out of the sensor leans more towards the Alexa/RED's in terms of that soft, clean, smooth cinematic feel to the image, or more towards the blackmagics, with that tack sharp, clinical and almost thin feel to the image, with a hint of grain? I assume the former, however I've yet had the opportunity to sit through hundreds of FS700 videos - as you do - and make a decent judgement ..  Cheers
    • EOSHD Pro Color for Sony Cameras - Official thread
      I'll test the settings for my 6300 with both the original and the updated version 2 guide.  I shoot 100% manual but I have my dial turned to the movie mode (with manual exposure) bc the 'M' mode on the dial can occasionally cause issues with my lens adapter.  I have never had an issue in the 'film strip' dial dedicated movie mode.