EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    13,799
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,275
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,527
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    2,448
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    626
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Canon 5d Mark IV press release and specs!
      The problem is that those companies are dominated by old conservative dudes who grew up in the stills world, and don't understand how the imaging paradigm is changing in the modern world. That is why they always seems to be so far behind the user base in their way of thinking.
    • 1.74x - A Crop Odyssey - Canon 5D Mark IV officially announced
      Not entirely true. You cannot make an EF to EF speed booster because the booster reduces the crop factor and increases the speed of the lens by shortening the flange focal distance - moving the lens closer to the sensor and refocusing it. Imagine the lens is like a film projector and you are focusing it on a screen that is smaller than the image being projected. If you want to get the whole image on the screen you can move the projector closer to the screen and refocus it, filling the screen and increasing the brighteness of the image at the same time. It is possible however to make a speed booster that adapts large/medium format lenses to EF but that seems a bit rediculous to boost a medium format lens to get a full frame crop on of a full frame camera
    • 1.74x - A Crop Odyssey - Canon 5D Mark IV officially announced
      100% Agree with you Andrew. I discovered the first footage of the NX1 through your video in Portugal if I recall correctly. Now I'm filming a documentary about handicapped kids in Ukraine with the NX1. This morning we filmed in a swimming pool using an underwater sleeve and it was great. This camera sustained rain, snow, and some falls. We already have over 2TB of footage (using hacked NX1 with 120 to 140Mbs bitrate) and almost shot everything with the 16-50S lens. This thing is so amazing. I keep looking for something better and considered many times changing but after renting a FS5 + Shogun and a BMD Urasa mini, I am keeping my NX1. It just seems the only 4K camera (not talking about Red or Arri) out there that actually resolves a resolution of 4K. Everything else (especially Sony) seems like FullHD + to me. Now it's disconnected... and it sucks. (also we are using a Lensbaby 56mm macro velvet which is an NX mount lens. Beautiful crazy footage coming out of it ! Very interesting alternative to the 60mm macro Samsung)
       
    • Photokina 2016 preview and summary of the year in video so far
      What I meant was IBIS + internal ND filters no. Agree all signs point to IBIS after the GX80/5