EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    13,805
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,275
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,527
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    2,449
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    630
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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    • GH5 10-bit 4:2:2 internalšŸ‘
      I thought XQD was a SanDisk/Sony collab? In which case, can't see Panasonic getting on board with that! -- Considering the DVX200 isn't recording 10-bit 4:2:2 internally, I can't see Panasonic putting that functionality into a camera 1/2 (or less) its price. I think the smart play for Panasonic would be to bring out an AF101 successor that has 4k 10-bit 4:2:2 internal (and V-Log) Then have your GH5, with 10-bit 4:2:2 1080p, 8-bit 4k with no crop. I'd brand the two as 'Varicam' cameras which would bring a bit of notoriety and 'professionalism' to the products. It would solidify a product line-up as per Sony, RED, Arri, Canon, Blackmagic etc. Panasonic is really the only major player that seems to be kinda flailing about - and they appear to be failing to gain traction on their higher-end models. Compare to Canon or Sony in particular who have a very solid product line-up, and manageable upgrade path. Panasonic has none of this, and they could have all of it. An even smarter play would be to have a S35 sensor that crops down to m4/3 size, so by default you can use all your m4/3 lenses seamlessly (as the APS-C mode on the A7 series), but Panasonic could then sell their own m4/3 to PL adapter, and productions using an AF 200/GH5/Varicam combo could keep their lens choice consistent. And considering the lens mount on the VaricamLT is interchangeable, it's possible that you could sell an m4/3 mount for the LT, so you could use your m4/3 lenses on it in a crop mode, providing both a cheaper alternative to those upgrading, and also the ability to make some more cash from sales of their own lenses - considering they must have a relationship with Leica, there's no reason they couldn't do something similar to the Sony/Zeiss lenses. To me that's a really strong product line-up and would serve them better than what they're doing now.
    • Selling a huge bunch of gear - XC10, C500, 1D C, X Pro 2, etc.
      Money's tight or I would jump on this. Good luck on the sale Andrew!
    • Selling a huge bunch of gear - XC10, C500, 1D C, X Pro 2, etc.
      Do you only take Western Union? Where are these located in the world at the moment, Ā are you "visiting" Egypt?
    • Canon 50D ML Raw in late 2015??
      Just get a focal reducer and Tokina 11-20mm f2.8 Ā  Sorted. Not that hard at all :-)