EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    13,478
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    2,217
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    2,440
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    2,007
    posts
  5. GEAR FOR SALE

    Post classified ads for your camera gear and filmmaking related kit!

    494
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • 1080 vs. 4K: What is REALLY necessary?
      If anyone has TIDAL you will be happy to know that Kanye West's new video is shot  with a VHS cam. The DP (UZI, cool dude) signature style revolves around his work with the VHS cams. Im sure the resolution doesnt even hit anything close to 1080 and he landed Kanye as a client. Im sure who he knows is a factor too but it kinda smashed the debate that you cant be "pro" shooting with consumer cams or if you dont shoot 4k
    • SciFi short film written by AI!
      And this guy has a robot to write new Friends episodes!! http://nymag.com/selectall/2016/01/friends-is-even-better-written-by-a-robot.html  
    • 1Dx II initial usability impressions
      Yes, these one http://store.dji.com/product/ronin-m-tilt-bar-extension-rods-30mm . The camera takes most of the space between the tilt bars and if you have a lightweight lens like the 85 1.8 the camera is placed almost aligned with the tilt bars so I recommend to use a L HDMI cable to connect an external monitor, I use the Movi one and is also very flexible and lightweight: http://www.bhphotovideo.com/c/product/1119722-REG/freefly_910_00088_right_angle_mini_hdmi_type.html
    • BMMCC ACES vs YRGB highlight rolloff test!
      The Test. No any additional color correction or highlights tweaking applied.
      Original 16 bit TIFF files here
      https://www.dropbox.com/sh/8rvdej9n53bwvv8/AAD7gF0CcUjQl3sxfVV-i-CBa?dl=0  Wonder how different can be the result from same camera! My personal conclusion from this test is to use as output profile Arri Alexa LogCtoREC709 LUT or DragonColor/REDgamma ONLY. ACES has potential but needs developing and implementation of some kind of proper contrast/gamma curve. Without it its unpredictable crap. YRGB BMMCC DNG -> ARRI LogC timeline -> Arri Alexa LogCtoREC709 LUT
      YRGB BMMCC DNG -> ARRI LogC timeline -> DragonColor2/REDgamma3
      ACES BMMCC DNG -> BMDfilm input -> REC709
      YRGB BMMCC DNG -> ARRI LogC timeline -> REC709
      YRGB BMMCC DNG -> BMDfilm timeline -> BMDFilmtoREC709 LUT
      YRGB BMMCC DNG -> BMDfilm timeline -> BMDFilmtoREC709v2 LUT