EOSHD

Welcome to the EOSHD forum. The knowledge-base for all mirrorless, DSLR and pro video cameras.

Subforums

  1. ANAMORPHIC

    The largest online community devoted to anamorphic filmmaking.
    Discuss lenses, adapters, workflows and post lenses for sale

    7,715
    posts
  2. BLACKMAGIC CINEMA CAMERAS

    Raw shooting cameras - URSA Mini 4.6K, BMCC, BMPCC and more

    973
    posts
  3. SHOOTING

    Screening room and the creative side of filmmaking - share your ideas / stories

    1,645
    posts
  4. SAMSUNG NX1 / NX500 HACK

    Discuss the NX1 hack and more. Share your mods. Share your tests.

    1,368
    posts

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The EOSHD Panasonic GH4 Shooter's Guide
The EOSHD Samsung NX1 Setup Guide
The EOSHD Sony A7R II Setup Guide and LUT Pack
The EOSHD Anamorphic Shooter's Guide - Second Edition
The EOSHD 5D Mark III Raw Shooter's Guide
The EOSHD Sony A7 Series Guide to Full Frame Lenses

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  • Posts

    • Petition for Samsung NX1 hack
      @outerbeat very true. H265 has a lot of advantages and it is evident even back when Samsung increased bitrates with their firmware updates. Shooting with a LUT would be a great step towards squeezing more out of the NX1. I can imagine visioncolor making a LUT for the NX1 hack and really taking it to the next level
    • Blackmagic Micro Cinema Camera
      I'm just surprised that they even bothered. They should have made a camera that was better for compact handheld work (Ikonoskop style) - larger than the BMPCC, smaller than the BMCC (you could rig it a little or use as is). Have an internal EVF (no poor screen), make it s16/s35 switchable, make it either 1080p or 2.5k & give it 60p for the slow-mo freaks. They could still do this & kill the market dead!
    • Samsung hack forum for discussion of all cameras not just NX1
      Hi outerbeat and thanks to you and Kino Seed for your great work,

      Newbie here, I installed the 1.25 version of the mod recently, Do I have to uninstall 1.25 and install the mod-pack release? Or do I have to replace the scripts folder only?

      Thanks again
    • Petition for Samsung NX1 hack
      No DIS, I shoot it with cheap but practical steadycam and samsung S 16-50 lens with OIS on and mostly with long focus That is exactly right, biggest achievements so far is the more extreme grading options, codec artifacts and motion cadance. HEVC work much better with big bitrates, in all nuances. Well, we have to wait or find new sd-cards, which can give us up to 320 mbps, and see what happens Yeah! Of course, it's very good weather. btight morning, but still, yes I'd like the LUT actually, because for H265 there is a huge step ahead as in bitrate in NX1, and in hardware\software options few years ahead, like you know, how much time I use for export this 1:56 min graded video with 200 mbps and 4K? It's like two and half minutes, that's all
    • What are your methods for softening 4k video?
      If you're using 8-bit (doesn't matter the resolution), you need to get it as good as you can right out of the box - post should be for correcting white balance, saturation & very minor colouring - editing some 8-bit footage ATM & its limiting. I loved your comments about RAW DNG files - great if you shoot right, crap if you don't (there's a difference between fixing & butchering in post). Using the Pocket, which has RAW, but I never use it anymore - ProRes HQ all the way & have even started to use Video mode instead of Film (Video mode much improved in BM cameras). DSLRs & Professional cameras are completely different things, and yes, I lump BM cams in with the later - that's the gift BM gave us all (cheap affordable Professional type cams, but with small company problems). Side note: Beginners who buy BM cameras should test in Video mode, to find out what the limitations/results should be, then move to Film mode & finally to RAW (it would save sooo much hassle in the long run). There's a great quote by Keith Richards, or is it Zappa, when asked how you become a great guitar player - practice, practice, practice. In camera terms test, test, test - just don't always show/bore the world with every minute aspect of it.