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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Anyone watching this cringe fest World Cup draw would swap in a heartbeat. -
By Simon Young · Posted
Another thing to compare is how the manufacturer handles the age old question of an OLPF. The R3, which share the sensor with the C80 and C400 has a pretty weak symmetrical OLPF, but it’s certainly good. The FX3 has no OLPF and is prone to moiré. So is the S1ii and the Z6iii and the Zr, which share the same sensor, and a very weak asymmetrical OLPF. The R5C, the R5ii and the R5 also has an asymmetrical OLPF but is less prone to moiré, maybe because of the 8k sensor. What kind of OLPF Canon put in the C50 and the R6iii remains to be seen… -
By Clark Nikolai · Posted
Yikes! You know, I've been too busy to get around to upgrading my iPhone to iOS 26 and now maybe I won't (until they sort this out.) -
With Sony the only FW update you get is probably for your Playstation, but don’t worry, Sony will always release a cheaper model, which will have some of the features you miss. Canon R5II and R6III sounded tempting, but after looking the 3D pop & toneh show from YT I am not sure Canon IQ is any better than Nikon. It depends on which kind of image you like more. So it leaves only Panasonic and Nikon on the table for me. With them you might get some HW and FW quirks at launch, but they also try to fix them and give new good additional features along the years, not just in the form of new bodies like Sony. I have a 35mm F1.4 too, but it is only for those cases I can’t use the 135mm F1.8. My 50mm F1.2 captured only dust since I got the 135. Still not sure whether I should up or downgrade it and 35 F1.4 to 35 F1.2 or to boring, but easy to use 24-70 S II. Probably not. Thought also about swapping the Z6III and 400mm F4.5 to Z8, as with 2.3x crop 135mm would be 310mm F4.1 on Z8. Very likely not worth it either. -
By Andrew Reid · Posted
Ah yes, I've never liked them either 🙂
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