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Anyone with a Panasonic S5 II or S9 interested in testing my in-cam ARRI compatible LOG C3 profile? 1 2
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I am going to try Andrew’s free version and see if that works in any way for me. I need to take a look at Lumix’s LUT stacking feature as I need to burn it in due to the way I work, ie, bake in both the conversion and a creative LUT. Not down that before so will need to investigate… I also need to be able to do it for my stills from the same camera as everything needs to match perfectly going forward. -
I looked at the R5C and the C80, - I looked at EVERYTHING, before pinning my colours to the Lumix mast, but nothing else either made the cut or was financially realistic. The closest based on availability today, would be a Z8 + Zf + pair of Z6iii’s and it was very very close… The Z8 probably just pips the S1Rii for me and for stills, the Zf easily beats the S9, but I still prefer the S5ii over the Z6iii for video…and overall, anything Lumix for video over anything Nikon. That might change in the future with the tie up with RED, but right now, it’s just 4 LUTs and Nikon video is lacking for me in 3 areas: no second card write back up, no bake in LUT and doesn’t have the multiple frame markers (I don’t think?) of Lumix. Canon had elements of my needs, but as an entire system was/is just too compromised and the cost to change was massive. I am pretty sure that before this time next year the game will have moved on, but I’ve got the opportunity to do something right now that suits me and will still have been a good move regardless of the future, so I’m more than happy with that.
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Not especially no, but then maybe that’s because I am a hybrid wedding shooter and not a serious filmmaker? I mean it is/was on the list, but in no way would I switch to a camera purely just because it has marginally better highlight roll off when it isn’t so great in other areas, or completely misses the mark. My criteria as I stated was I am replacing both a 61mp and a 24mp cameras for a 44mp one. For stills which are 50% of my work, absolutely no way would I be considering a 12mp camera as a viable alternative. Does the A7Siii meet my requirements for ‘all in one system’? Sure as does the A7iv, the A7RV and well…any/all A7 and FX bodies, but do any of them meet my requirement to shoot 6k open gate video? Nope, not a single one. As I outlined in my reasoning, I have a minimum set of requirements in order to make any change and one of those was not better highlight roll off. I don’t think you are necessarily being ‘that guy’, but you completely ignored my requirements and instead posed a question based on what I guess would be your main priority. And that’s cool. But regarding highlight roll off specifically, have I considered it? No, not really. I’ve used full-frame Lumix now for 4.5 years and at no time have I considered it an issue and looking at the footage from the S1Rii that I have seen, haven’t noticed anything untoward. I haven’t looked at or even aware of any comparisons in this specific area either. So back to my best Scooby Doo voice, “Idunnoknow” 🤷♂️
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I have it in my GH6 and I feel like it's a game changer for that camera. Didn't love the camera when I had it a couple years ago. Felt like vLog was only slightly better than CineLikeD. With LogC, the mapping of the DR seems way better and the images look higher end to me. YMMV. -
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