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I'd agree with you, except that about half the movies in the box office aren't much better.. add in all the religious propaganda movies that thrive in more religious areas of the world and sadly, I think there's a huge market 😞 -
One question that stood out to me immediately was how much you want the audio to move around when the person in the VR turns their head. For example, if you record stereo and the VR person turns their head the visuals will all move but the audio won't change at all - I would imagine that to be unnerving and potentially ruin the immersion wouldn't it? Does VR have a standard where you can record to that and then the headset will decode it to match where the viewer looks?
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The end of taste? Who wants to watch this garbage? -
Hollywood shoots ProRes for the most part, except for VFX plates.
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I did a first impressions thing here when I got my H3-VR. It has examples of the auto down mixed binaural output for general city ambience and you can download the original ambisonic files to see the extent of the steering that you can do with them in post if you every wanted to. I think it obviously punches above its weight and even in binaural mode it does add more pickup width outside of the visible frame as well as a certain degree of rear and height cues so for 180 video I think it might do the trick for what you are after without having to do anything in post. The step up would be the Rode Soundfield mic paired with something like the Zoom F6 or even the new H6 Essential but, obviously, you will then need a more elaborate rig versus the diminutive H3VR and, of course, with no down mix you'd have to do that in post.
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