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Large format printing work... from video? ; ) Needs vary accordingly different users and purposes for sure. -
I definitely always keep the originals, but it depends on what work you're doing and what you export. If you really want to reduce the amount of storage your footage takes up, one way is to use the (excellent) Media Management tool and use the Copy Only Used Media Files option to create a backup of only the files that you actually used in the project. If your source files are large RAW files then you could transcode them to a Prores file as a lower resolution source and delete the RAW files. Or you could even export a Prores HQ copy of your completed timeline to have a high quality copy of it, rather than an 8-bit h264/5 export only. Of course, all these things take time, and if time is money to you then it might just be easier to buy more hard drives! -
What a waste of space, I mean I have a Z9, I always use 4k mode and zero sharpening because it is already too detailed. Once I had the misfortune of using the 4k from 8k output on older people, that thing was so hard to blur the skin as it was so detailed. What is the use of using such resolution then to put all types softening filters. -
By John Matthews · Posted
This video outlines what to expect from those new M4 chips. Yes, the new iPad has the fastest single core production chip. I'm fairly certain the new M4 high-end macs will handle multiple simultaneous streams of 12k. I'd go for that. -
Yes, it is a bargain for what it is. I mean it seems RED was not doing that well, but for a bigger player, it is a small sum for a big return. I mean Nikon goes from a nobody in the video world, to one of the cameras used in the Cinema industry. They also get some quite unique tech, like the global sensor tech, a codec/color science widely use in high-end cinema industry. And a way to enter the Cinema lens market. The likes of Canon must be biting their lips, it is so cheap that only securing the mount would have been worth it.
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