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By fuzzynormal · Posted
We should hold theft in disdain. Not doing the stealing thing, after all, is one of the commandments in the Bible. I have a friend/colleague that has gone into the AI rabbit hole. He wants to only deliver videos with 100% generative AI. His argument is the hackneyed "It's just a tool". Well, a tool delivering mimicry from unauthorized sources is theft. "But humans copy each other all the time" he's said. Sorry, bud, you're just rationalizing stealing. Putting aside that human plagiarism is also theft, the process of being creatively influenced as a human is not the same thing. Humans filter all creative context through their own impressions, wisdom, experiences, empathy, and feelings. That particular matrix is infinite, random, and organic. The talented know how to tap into this mystic calculus, to develop their expertise, bend their skill set as a means to an end, and to use all of it to create something profound. Hacks (of which I am one, mind. Maybe a self-aware one, but still one nevertheless) can only regurgitate superficially. This lazy superficiality has now been globally scaled and monetized for the 1%. It sucks. Specifically, it sucks for me because those mediocre jobs of regurgitation used to be $$ in my pocket, not theirs. I had a skill of the craft that was worth a certain value. That value is diminished significantly. Yes, I'm bitter about it. Should I be? I may lack art, but at least I had craft. Be that as it may, my colleague's use of AI is especially galling as he's eager to brag at how hard it is to get the various AI systems he uses to comply with his prompts. Here's the thing: he's putting out animation style videos. Do you know how difficult it is to be a crafts-person in animation? Good god. "working hard" my ass. The "it's a tool argument," to me, is like going into a museum to admire and marvel at the paintings and sculptures ... but then standing in front of a 10th grader's paint-by-numbers knock-off of "The Harvest" and insisting it also deserves as much admiration as the original Van Gogh -- Or looking at some technical feat, like a 3D print of Michelangelo's David and being, like, "Wow, the person that ran the 3D printer equipment to make a copy of that sculpture is so great!" Bull. Shit. Admiring the craft needs to also be part of admiring the art. If you're so addled that you don't even see repercussions of that craft-art-divorce, you're hopeless. Worse, he keeps trotting out his latest video examples in a gee-whiz-isn't-this-great-way to everyone around him -- as if we're supposed to be impressed? He's literally said, "I can finally make everything that's been in my head exactly how I see it!" "Make?" No, you can't. And the fact that you can't even recognize that you're not a "maker" is the real problem. People that are too shallow to cop to any of that, to appreciate that ... again, it's the deeper major problem with [waves arms around] all of this. I'm tired hoss. Tired of shaking my fist at the clouds. -
By Eric Matyas · Posted
Another busy week, but I wanted to share a cool new music track...the latest in my "Light Puzzles" series: "LIGHT PUZZLES 13" (Looping) You can listen to it here: https://soundimage.org/wp-content/uploads/2026/02/Light-Puzzles-13.ogg And download it here: https://soundimage.org/puzzle-music-8/ It's 100% free to use in your projects with attribution. Attribution information is here: https://soundimage.org/attribution-info/ OTHER NEWS I just finished the music score for a cool farming sim game called "Agromatic." Working on music scores for 2 other games, "Futurika" and "The Mandarin Machine." Such cool titles dreamed up by these developers! (I'm always struggling with titles for my music tracks.) Anyhow, you can check out these games and others that I've scored here: https://soundimage.org/custom-work/ Feel free to contact me if you need some help! 🙂 -
It seems someone had contacted Blackmagic about this issue and they had said Resolve cannot support R3D NE trim at the moment as RED SDK does not support it. So the only options is to save everything shot on R3D NE or transcode trimmed parts to H.265 or to some other format. Well done Nikon and RED. Already transcoded some clips to H.265 with REDWideGamutRGB/Log3G10 and 500Mbps bitrate, and results look pretty good compared to original Raws, but it is not the same than having Raw files stored for later use. -
By Clark Nikolai · Posted
It seems there's a bit of a trend (at least with some YouTubers), to make your own cinema camera. Mathew Trahan is making a CinePi. Alt Frames, is also doing the CinePi project with his own mods. So, interesting. It's now become something that people can make their own if they want. I suspect it'll become a hobbyist thing much like how people are 3D printing their own film still cameras. David Bross was interviewed by CineD, (mostly about his app,) he talks a bit about how he got to try to "resurrect" the Digital Bolex. So, I've decided that in my new film I'm working on, which is set in the present day and involves a group of artists, that one of the characters will be making her own cinema camera. I'll use my Faux Bolex project parts for props. (Still have to get it fully working though.) -
By fuzzynormal · Posted
Regarding voice AI. Hoo boy. As a documentarian, this one can affect me a lot. A lot of ills can be smoothed over with AI audio. But ... at the end of the day it's an ethical choice how it's employed. I've decided to ONLY use it to salvage VERBATIM lines from interviews and field audio that is distorted beyond comfort. Like, wind noise, clothes rustling. And then it's a last ditch option after audio EQ/Rx tweaking. Best thing to do is just not 'f up the field production to begin with. Beyond that, if AI is used as a production short cut to solve a storytelling/crafting failure as a filmmaker -- I now consider AI use untenable for me. It's simply on the wrong side of things morally when it comes to making honest doc films. Sadly, I fear that's now a contrarian opinion; an "old-fart" opinion. No one probably really gives a shit anymore about these sorts of "cheats" 'cept me.
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