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  • Posts

    • The weirdest bit is @Andrew - EOSHD in the center rear, similar to Jack Torrance in the old-timey photos from The Overlook... 
    • My first thought was "I bet Rosco or Lee have something like that, but maybe not in the right size" and after a few minutes of searching, I found something from Rosco that's like that, but not in the right size. https://www.adorama.com/ro1081102024.html So there's hope, maybe that or searching for "graduated center filter gel" or similar would get you closer! Another thought would be to make something like the soft focus disc for an some types of large format soft focus lens - some examples here: https://www.largeformatphotography.info/forum/showthread.php?49632-Recommendation-for-Soft-Focus-lenses-for-4x5/page2 It wouldn't be exactly the same as varying the opacity of the film like in a gradient, but you could make an aperture that has a hard edge in the center with the edges around it perforated, but with the density of perforation decreasing toward the edges.  It'd almost certainly introduce some interesting aberrations.
    • And this camera has the nice thick V-LOG image we know and love. Could decently shift WB in Davinci Resolve (using Chromatic Adaptation node) WHILE at 12,800 ISO and everything seemed clean to me.  Panasonic really have made the end-game MFT cams with this and the Gh7.   I love the body size.  Yes its larger than say the older G85/gh5/gx85 gang.  But it feels very compact with a small lens, yet i know if i put a big lens like the sigma 18-35 on here it would balance out.  Seems very versatile.
    • Ended up spending a bit more and getting the Panasonic G9II!  Found it for a good price.  So far seems like the end-game camera for me.  Only have done a few tests, but I kid you not ISO 12,800 is not awful on this thing and cleans up rather easily with some Temporal Noise Reduction in Davinci Resolve.  Stabilization?  Wonderful.  E-stabilization high doesn't crop in that much, and it is rock solid.  I love all the framerate and resolution options and open gate will be nice to have.  And its so dang comfortable with MFT lenses.  It came with a 12-60mm 3.5-5.6 lens; not a bad lens.  It has a great range and has OIS so I get Dual IS.  I will likely sell for the 12-38 2.8 though.  But I think since this camera doesn't suck in lowlight, I can live with the 12-35 2.8 and save a lot of size and weight over the sigma 18-35.  Build quality noticable step up from the Lumix S9.  This camera is so good!!!
    • It could possibly be him, - they do look quite similar in black & white. The centre bottom dude is Cam Mackay’s great great great grandfather, Dances With Cameras. That one I am positive about. I think…
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