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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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By eatstoomuchjam · Posted
I'll be sure to fill up any cloud storage they give me, then. Maybe I could treat them to a retrospective of my year in toilet flushes, but give it a bunch of other labels like "Doing a sick jump on my bike" -
By eatstoomuchjam · Posted
No surprise at all that someone grabbed it. Too bad the mount can't be user-swapped - I saw one in a bit more beat up condition, but still good for like $1,000 - but with EF mount. It is bigger than H.265, but there's also not, in my experience, a lot of reason to fear some of the higher compression ratios. I think I see some artifacts in some difficult places (narrow/flaring highlights) 8K at 12:1 on the Ursa LF, but I need to try exporting from Resolve and/or try some similar scenes with 12:1, 8:1, and 5:1. I'm not sure how well ProRes 422 bitrates compare with higher-compression braw, but they might not be too far off. For now, for later, for just about forever if you want it to. That's a hell of a camera - though it'd be nice to have something a little smaller to pair with it. The C500 II ain't tiny (though it's also not enormous). -
By zerocool22 · Posted
Funny that sony raises prices and blackmagic cuts prices. Allthough for me with the storage space costs at the moment. Braw isnt cutting it. It is better then h265, sure. But I just cant justify the storage costs. I wished they included compressed prores again. Love blackmagic though, it has an amazing look. I think I owned lost of their cameras until the pyxis. But its shitty on gimbals, and storage adds up, not as much as the nikon zr though. I hope nikon announces good news on IBC in a couple of weeks. My c500ii will do for now. -
; ) https://petapixel.com/2026/09/04/gopros-founder-promises-it-isnt-done-making-consumer-cameras/ Sure not... why should it be kinda different? LOL :- ) -
Last time you did it, I bought one! : D
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