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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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Man that H265 doesn't look all that great beside the other formats -
The reality. I am sure you can get more out of R3D than Lumix log, but at 5x the data rate. But then again, I have seen the size of the Lumix raw files and they are over 10x log, so err, no thanks. The actual reality is that no one will notice, especially as all they are interested in these days is the 60 second short on social media that can easily be shot on a phone or action cam...which coincidently, is exactly what I will be doing next year... Should we care? Yes we should...but always within the realms of reality and that reality for me is I'm not going to be shooting data rates 5-10x what I already have that are already more than good enough, because where does it stop? I still love the ZR, - I think it is THE camera of the year, all factors considered, but mainly for it's form factor and rear LCD, although I do wish that was tilt not flip out, but hey ho, not buying one so what does my opinion matter! -
R3D NE, NRaw, Prores and H.265 compared by Cinema Tools. Not that much difference between R3D and NRaw, but not sure if they exposed according to this Recommended Zebra pattern values for R3D NE footage at Different ISO levels document. https://download.nikonimglib.com/archive8/ocJ930074UNE07okE3j44a40zA01/R3D_NE_datasheet_for_Zebra_pattern_(En)01.pdf -
I’m not desperate to buy a new camera, but this is what is missing for me also. The A7CR is currently closest but other than format, the A7RV trounced it for me. Ditto the S1RII vs the S9. I can live without the EVF but the lack of mech shutter really caused me issues on the stills side. Sigma FP/L ditto. That camera for me is 2 elements away from being my perfect camera: Mech shutter + hi res tilt/flip LCD. The lack of IBIS used to bother me but I would shoot it on a monopod so not an issue. Tried the Leica TL2 but it was a bit clunky and moved on a bit from APSC anyway and would really only consider full-frame or medium format today.
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By John Matthews · Posted
I took it from the same site that @Andrew Reid mentioned: https://www.slashcam.de/artikel/Test/ARRI-ALEXA-35-Sensor-Bildqualitaet--Rolling-Shutter--Dynamik---Die-neue-Referenz---alles-.html I looked for the Nikon ZR, but I couldn't find similar IQ tests regarding 120fps. It's important to note these are super crops. Andrew thinks it was a bad performance for the Alexa. I don't think so. I don't see the same amount of aliasing as I do on the A1 and S1R ii (which line-skipped) shots.
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