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Dynamic range and colours seem to have been messed up due to choices of the artist in post pro and lighting. This is the worst launching video I can remember, even moreso from a filmmaking perspective. What a dull affair! This is a great launching video. It's for the GH6! -
Nah, I just meant staying extra time. Maybe they travel enough and so time abroad doesn't matter much to them, but I just figure that if you're planning on shooting half-a-dozen videos about cameras and lenses and accessories and then Panasonic says they'll fly you to Japan and back, maybe you ask them to delay your return flight by a week and for the cost of a hotel for a week you film the outside parts of your other videos in somewhere interesting rather than that same spot you keep going back to for video after video, plus you get a week of the worlds best ramen and sushi instead of your local whatever. -
A bit of ‘everything’ really… Also that intangible can’t quite put into words, but is a thing, ‘look’. I have always just found M4/3 stills to be a bit meh. I noticed the difference when I moved from Fuji APSC to Lumix FF. Nikon FF has another tiny edge over Lumix FF, at least at 24mp with supposedly the same sensor. So I don’t go much for the technical analysis of why something is less or more, but more an instinctive/immediate, “I like this better or this not as much”, without too much concern as to why it may be so. -
By Eric Calabros · Posted
37 minutes is probably the longest you can record 6k raw. Most of the heat comes from CFexpress card, and highest bit rate is at 6k raw. -
actually on Vimeo I watched a thorough test comparing c200 and c100 mk2. they have the same image quality. c200's major strength is 4k raw. it took me some time to tune the c100 mk2. once optimized, it is as sharp as GoPro 12's 5k, or r1mx, epic-x, etc. I cannot tell difference from a 4k monitor at less than one meter of viewing distance. this is more demanding than in a commercial theatre.
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