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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Quote it : ) Unfortunately, a truth of nowadays. Well stated :- ) -
Even mushy 1080p from the t2i looks better than 8K/12k except for DR. The best tech from the past 5-10 years is IBIS. Any new full frame cameras have good 1080p raw without a crop? -
By John Matthews · Posted
Dude, my infomercial will be future-proof! In 10 years, humans will evolve and they'll be able to see that 12k detail on their phones. Adapt or die, man! -
By John Matthews · Posted
I love 1080p footage. To make 4K look good, you have to throw all kinds of filters at it. I can’t even imagine 8K, let alone 12K — that’s just crazy territory. Even 4K already shows every skin pore, sucking all the magic out of the image. 1080p still hits that sweet spot where the detail supports the story. Hyper-sharp 4K, 8K, and 12K just end up turning the story into “look how ugly that person is.” The narrative goes in one ear and out the other. I can’t help wondering if there’s some level of collusion between computer manufacturers and camera companies. What if 1080p was always “good enough”? That would be a huge let-down. Why buy a new computer if a 10-year-old one can do just as well — aside from saving ten minutes on an export? Granted, with a 12K sensor, I imagine moiré would disappear for good, giving you an incredibly clean 1080p file if the downsampling is done properly. -
By Ilkka Nissila · Posted
I think in any given time window, a truly good movie is a rare thing. It's not that there are no good films being currently made, rather we remember those old films which left a lasting impression on us, and tend to forget those films which were not good. For films made in the 1980s and 1990s we remember the very best ones. For films made in the 2020s we are more likely to remember the latest ones we saw. High image quality (be it high dynamic range or resolution) cameras don't make things worse in terms of the quality of the outcome but it may be that they motivate the production to aim for greater perfection in some sense and then not realize that technical perfection is not necessarily a worthy goal on its own if it leads to losses in other areas, such as the story and dramatic intent. I think visual aesthetics have been changing with the ubiquity of the mobile phone camera and the kind of processing that phone manufacturers apply to the images by default and also the kind of post-processing that people apply to their images in instagram etc. People who have grown up on these devices are used to the auto-HDR AI look and they may think that kind of a look is normal and looks good. Cinema cameras that capture high dynamic range allow that kind of post-processing to be applied, but they also allow other options; it is how they are used that is important. As camera and TV (particularly streaming) resolution has been increasing, it is possible that to get technical perfection, the producers think all the actors need to be really beautiful with perfect skin etc. as they are shown in such great fine detail in the movie. Post-processing edits to how skinny models look in magazine covers or online, and fixing of imperfections in plastic surgery por post-processing also have lead to new aesthetics which is like a race that got out of hand, leading to ever less realistic photographs and movies. If they process everything to look a tone-mapped fake HDR image with local tonal variations everywhere and no contrast between the different elements in the scene, and all the characters are super perfect then there is a huge disconnect with reality. Classical films often had rough characters along with the beautiful, which made things look realistic even if the lighting was hard and stylized (by necessity, as the film material required a lot of light, so hard lights were used and there had to be intent). Actual HDR technology can help avoid the tone-mapped HDR look and have shadows dark all the while showing details (preserving the global contrast between parts of the image). However, how this technology is used is up to the people making the movie, of course. I have to admit that most of my favorite movies were shot on film, although I do like several which were shot on digital. I don't think shooting on film per se makes those movies look good but it may be that the filmmakers were able to choose an aesthetic (by film and lighting and costume choices etc.) and hold creative control over it with a more firm hand when using traditional techniques. This could also be why camera manufacturers have been adding "looks" and "grain" baked into the footage as options recently. They can help to lock in a certain look and the added grain prevents excessive mucking up with the image in post-processing. However, to me this seems like less than an ideal solution which would be for the team members to communicate and understand the intent and work together to achieve it. I notice there is no agreement as to what look is good online, people will have wildly differing opinions on such topics. Thus it is up to us as viewers to select our favorites and enjoy them rather than hope that every new movie follows the same aesthetics. This will never happen, of course, as there are so many opinions.
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