Jump to content

17,115 topics in this forum

    • 527 replies
    • 176.6k views
  1. Lenses 1 2 3 4 288

    • 5.8k replies
    • 1.4m views
    • 21 replies
    • 6.1k views
    • 1 reply
    • 10.8k views
    • 0 replies
    • 27 views
    • 16 replies
    • 562 views
  2. Share our work 1 2 3 4

    • 75 replies
    • 16k views
    • 629 replies
    • 74.1k views
    • 43 replies
    • 2.7k views
    • 13 replies
    • 1.9k views
    • 16 replies
    • 758 views
  3. Le Faux Bolex

    • 3 replies
    • 312 views
  4. new camera purchase 1 2 3 4 5

    • 81 replies
    • 14k views
    • 511 replies
    • 77.1k views
    • 12 replies
    • 830 views
    • 35 replies
    • 8.7k views
    • 9 replies
    • 492 views
    • 70 replies
    • 10.8k views
    • 42 replies
    • 6.1k views
    • 29 replies
    • 1.8k views
    • 83 replies
    • 9.1k views
    • 22 replies
    • 4.8k views
    • 1 reply
    • 417 views
    • 234 replies
    • 87.2k views
    • 8 replies
    • 3.9k views
    • 8 replies
    • 1k views
    • 429 replies
    • 125.5k views
  5. Sony FX2 1 2 3 4 5

    • 88 replies
    • 9.6k views
    • 723 replies
    • 225.1k views
    • 4 replies
    • 573 views
    • 23 replies
    • 2.1k views
    • 1 reply
    • 522 views
    • 11 replies
    • 864 views
    • 22 replies
    • 1.3k views
    • 61 replies
    • 5.8k views
    • 18 replies
    • 1.1k views
    • 12 replies
    • 9.5k views
    • 33 replies
    • 5.1k views
    • 11 replies
    • 1.9k views
    • 11 replies
    • 3.2k views
  • Popular Contributors

  • Forum Statistics

    • Total Topics
      17.1k
    • Total Posts
      348.4k
  • Member Statistics

    • Total Members
      34,318
    • Most Online
      19,591

    Newest Member
    Farrell
    Joined
  • Posts

    • There is a time for a clean aesthetic.  There is a time for a more timeless more filmic aesthetic.  There are times for a far grittier aesthetic too. Those who have been following my other thread will know I've mostly got my travel / walk-around AF setup nailed.   (GH7 and GX85 bodies combined with the 14-140mm zoom, 12-35mm F2.8 zoom, 9mm F1.7, and 14mm F2.5 pancake lens) This setup will give a relatively clean starting point which can be graded to create a pretty wide range of looks.   However, not everything can be achieved in post. I have also collected a bunch of modern MF lenses and vintage lenses over the years and these might be useful in creating other looks that I can't do in post with the above kit.  So I'm trying to work out if I should just archive them or if they're still good for anything I want to do, and if so, what might that be? I've looked through my continually growing collection of lens comparisons, but found nothing conclusive.  Thus begins a moderately sized lens / camera test... The setups included in the test are below.  The details in brackets are the FF equivalents.   OG BMPCC + 12-35mm F2.8 (35-100mm F8.0) This setup is included as I think it will be a reference for the rest of the setups (at worst) and might end up becoming part of my standard kit (at best).   GF3 + 15mm F8 (30mm F16) This setup is included as it's essentially a modern Super-8mm camera, and considering it is absolutely tiny and takes the same batteries as the GX85 it's almost inconsequential to bring on a trip.   GX85 with: Modern: Panasonic 12-35mm F2.8 (24-70mm F5.6) Modern: Panasonic 14mm F2.5 (28mm F5) Modern: Panasonic 14-42mm f3.5-5.6 (28-84mm F7.0-11.2) Modern MF: TTartisans 17mm F1.4 (34mm F2.8) Vintage: Cosmicar 12.5mm F1.9 SB (36mm F5.5) Modern MF: Voigtlander 17.5mm F0.95 (35mm F1.9) Vintage: SB + Yashica 28mm F2.8 (40mm F4.0) Vintage: SB + Tokina 28-70mm F3.5-4.5 (40-100mm F5.0-6.4) Vintage: SB + Takumar 35mm F3.5 (50mm F5) Vintage: SB + Mir-1B 37mm F2.8 (53mm F4) Vintage: SB + Takumar 55mm F1.8 (78mm F2.6) Vintage: SB + Helios 44M 58mm F2.0 (82mm F2.8) Modern MF: Voigtländer 42.5mm f0.95 (85mm F1.9) Modern MF: TTartisans 50mm f1.2 (100mm F2.4) I haven't included all my lenses, but the ones I have omitted have been included in other tests previously and are broadly similar to ones I have included, so if they become interesting as a result of this test I have some more reference materials.  I watched a doco on Netflix the other day called Attack on London, and was really inspired by the look of the 'recreation' images they have obviously filmed for the doc, and seem to have used one of the filthiest anamorphic lenses around (and potentially added more dirt in post as well).  Here are some screenshots..  These might not have been streamed at the highest bitrate available, but I don't care - they look great and have so much texture and feel. This isn't the exact aesthetic I'm going for, but it's one that I saw recently that has a lot of texture and FEEL.  My hope is to work out what the ingredients are to getting this kind of feel and then work out when I would want it and then work backwards to what equipment and processes I'd use to get it. My initial impressions (guesses) are that the ingredients are: shallower DoF lower levels of sharpness decent amounts of grain film colours (especially having a tint and having subtractive sat) The above images have more elements to them than this, but I don't care much for things like CA etc, so I don't think they're part of the minimum required elements. I plan to shoot comparisons with the setups above in a range of different scenarios and then see what I can see, before moving onto the post workflows and what role those play.
    • 18 hadn't changed as far as  i remember.  i suspected 19 or 20. i skipped 19 got 20 and things has changed... took a bit to figure it out.  I also bought one of these on prime day, had it in the cart, was hoping it would come on sale and it did.  Saved $20, so worthwhile waiting the extra  week or so.
    • Nice images! I feel like you've absolutely nailed the core concept - it's about capturing "the way they felt at the time".  This is where the pixel peeing leads the creativity astray, it's not about capturing the way it appeared at the time, it's the way it felt at the time.
    • It's been a while since I've been able to work on any kind of movie, but here are some recent landscapes photos. I'm not doing anything artistic, just trying to capture some of my favorite places the way they felt at the time. The only edits are very slight changes to saturation and exposure. 90% of my photos are from 10+ mile hikes so I only bring my lightweight 28mm and a CPL, but in this group is a rare photo taken from the roadside using a 24-105.
    • Good to know. This is not going to be a ‘workhorse’ lens for me, but rather something to ‘fill in holes’ if you know what I mean and much more for photo than video and especially as a walk around one stop shop landscape lens. Yes I think it will work very well. I considered the 70-300 but decided I wasn’t really gaining anything over the 70-200 I already have except a less good lens. Also the Samyang 35-150 but I’d need (want) the battery grip for that and were back into big boy territory and no thanks. 28 and 40 are my to ‘go to’ focal lengths below 50 that I prefer to work with. They have a certain kind of look and especially with 28, it’s about as wide as you can go before any distortion begins to appear. So yes, ultimately and as soon as possible, I do want this lens because it ticks every single box I have below 50mm. Exactly why I chose it over the f2.8. Optically it’s very good and it’s actually OK in low light. And I think it’s slightly lighter even than the 28-45 Sigma?! Real world about the same but about as big and heavy as I prefer to go. I think so. Pretty confident that it will comfortably replace the A7RV and Zf, both cameras I love. The combo of glass, slightly less but I am going from 3 different mounts/brands to 1 single and that is a big deal plus 1 less body and 3 less lenses. It’s a good decision. I’ll find out next week when I am using it, but today (I’m on a job) back to the Sonykon’s!
×
×
  • Create New...