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It seems strange to me that because a cinema camera is small that somehow it is judged like a P&S rather than a cinema camera. Many/most cinema cameras lack IBIS and reliable AF-C today, and even P&S cameras smaller than GX85 lack IBIS. It is a pity that they didn't have a bigger grip / battery though. One good way to do it would be to look at the smallest lens that would practically be used (which in this case is the 14mm F2.5 or 20mm F1.7) and then make the grip just smaller than that. -
By KnightsFan · Posted
Well yeah obviously if its terrible quality then it doesn't matter whether it's 16, 24 or 32 bit, it'll suck. Assuming the preamps are roughly in line with what you get on most prosumer equipment, and that it does some kind of dual gain merging like virtually every other prosumer 32 bit recorder, and that the module doesn't physically break when you breathe on it, then 32 bit float is a huge improvement for a huge number of people. -
Or they just want to distance themselves from it as much as possible. Also, writing things off can help with your tax bill sometimes, so could be corporate finance hijinx.
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Honestly I think sticking with the Panasonic Lumix S 50mm f/1.8 Lens as the "freebie / promotional lens" would have done far less harm to the S9 launch, than that f8 manual focus lens! Even though the 50mm is quite big, at least it wouldn't have generated so much negativity being bundled with the S9. (although yeah, I think ideally Panasonic should develop a 45mm f2/8 lens that's very compact, or something like that) What was wrong with the GH4?? It was revolutionary for its time!
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