For a long time, Canon’s in-house sensor division has made CMOS sensors for Canon’s camera business but now the company has set up a business website for a selection of image sensors they’re selling to external customers. Two APS-H sensors of very high megapixel counts could see scientific use. A global shutter sensor (small 2/3 inch) and a 1/1.8″ HDR sensor join the party.
The cinema industry is set for a huge shake-up.
Coming to a sofa near you – Matrix 4. Wonder Woman 1984 (although not in 4K). Soon there will be no reason to leave the house. Oh wait – there isn’t already! Now cinema has been dealt a massive blow by one of the largest studios themselves. A classic case of shooting themselves in the foot. According to Nolan, none of the Warner Bros. talent were consulted on the move to bring top cinematic releases to streaming service HBO Max, leaving cinemas for dead. And let’s face it, this failing service isn’t even Netflix.
Christopher Nolan has even put his future relationship with Warner on the line by describing it as the “Worst streaming service” and flagship movies as “loss leaders” in a “bait and switch”.
It’s a full blown crisis in the cinema world.
What happens next?
The historic photographic industry exhibition Photokina is over. Management blame the decline of the camera industry, and couldn’t even organise a show for 2022 by which time the pandemic will be well under control.
This news is extremely sad, and hardly satisfactory that the camera companies and Photokina management couldn’t work something out.
Nikon has seen huge financial losses this year, and it isn’t just the camera business that’s in trouble. Nikon’s other core business, semiconductor manufacturing equipment, supplies 70-90% of their chipmaking machines to Intel – but the US company’s investment in the machinery has run its course. To make matters worse, Nikon’s management baulked at investing large sums in next generation extreme ultraviolet lithography technology – a significant growth area.
The FX6 slogan should be Miss Every Shot (while fiddling with the menus).
The Sony A7S series has always been considered the leader in low light at very high ISOs. But at just 12 megapixels, it’s a big sacrifice in resolution to get there especially in the 8K age.
The main thing that strikes me about the current 24 megapixel full frame sensors is they are CLEAN. Certainly ISO 3200 on my Panasonic S5 looks very similarly clean to ISO 3200 on the new Sony A7S III. I’ll be exploring this with my own test soon.
The ZX1 is a great concept, and a beautiful piece of German industrial design. It hurts to see it so poorly marketed.
Sony have released their latest pandemic camera. The FX6 is a cut down FX9 priced at $6K. Image quality and frame rates are pretty much the same as the A7S III, but due to an even lower resolution sensor there is no 4K in Super 35mm mode. It has no IBIS, no EVF and a horrible small pokey touch screen. The controls are from the 1990’s.