I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that one too.
Video on the new X-T3 is quite a surprise and shows how seriously Fuji are taking filmmaking, even on their most photographer-orientated cameras. Film Simulation goes 10bit for the first time on the X-T3, along with F-LOG (internal) and a future firmware update later in the year will add Hybrid LOG Gamma and BT.2020 colour.
There are big improvements to the sensor, to speed up the rolling shutter to 17ms in 4K/60p which puts it in the realm of dedicated pro movie cameras.
The drawing above shows what Canon’s rival to the GH5 will look like. It is based on the form factor they introduced with the XC10 but features several ergonomic improvements and an interchangeable lens mount. The lens mount appears to support EF lenses and has a locking mechanism. However there seems to be even more going on with the lens mount than meets the eye.
Note: My camera is running firmware version 0.2! If the performance changes when updated, I will re-do the test
Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition?
Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5.
In the last few weeks you may have heard rumors about the Panasonic “GH5S” from the usual places. It all sounds quite compelling. Rather than a high megapixel stills and video hybrid, the “S” model would focus even more on cinema with some astounding capabilities not seen on anything remotely similar.