In a surprise move, the affordable G9 will be getting a huge video upgrade. The new firmware bumps the 8bit 4K mode of the G9 up to 10bit 4:2:2 internal. There are also further AF improvements for the GH5 and G9, along with manual exposure control in high-speed movie mode on the S1, improvements to highlight rolloff in V-LOG and CFExpress card support – these cards offer up to 2000Mbps data rates, 300% faster than even XQD… Perfect for internal 4K RAW should Panasonic choose to implement this next.
I was able to find a Nikon Z7 in Berlin and decided to shoot with it at least until the Z6 comes out, when I’ll reassess whether it is worth 3800 euros. Nevertheless, this camera tells us 90% of what we need to know about that one too.
Video on the new X-T3 is quite a surprise and shows how seriously Fuji are taking filmmaking, even on their most photographer-orientated cameras. Film Simulation goes 10bit for the first time on the X-T3, along with F-LOG (internal) and a future firmware update later in the year will add Hybrid LOG Gamma and BT.2020 colour.
There are big improvements to the sensor, to speed up the rolling shutter to 17ms in 4K/60p which puts it in the realm of dedicated pro movie cameras.
Panasonic have started the count-down on a big announcement at Photokina.
Dreams of a full frame Panasonic GH5 may be about to be realised.
Bigger sensor, or faster lens? Which is most important?
Well, a lens you can change and your sensor you cannot.
Here’s how to stop worrying about crop sensors.
The drawing above shows what Canon’s rival to the GH5 will look like. It is based on the form factor they introduced with the XC10 but features several ergonomic improvements and an interchangeable lens mount. The lens mount appears to support EF lenses and has a locking mechanism. However there seems to be even more going on with the lens mount than meets the eye.
Note: My camera is running firmware version 0.2! If the performance changes when updated, I will re-do the test
Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition?
Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5.