X-H2 anyone? With the X-T4 confirmed to be staying at 4K, a big 8K door swings opens for a higher spec hybrid camera from Fujifilm.
According to a reputable report in the Japan Times, Sony has shelved new features planned for a 2020 mirrorless camera (thought to be the A7S III) due to a lack of DRAM memory supply (the A7 IV or A7S III was thought to have stacked DRAM sensor technology, inherited from the A9).
Here’s the new Fuji X-T4 due to be announced in 9 days on February 26th. Fuji chose to go with the familiar X-T3 body design and add IBIS, along with a fully articulated screen similar to the GH5. There’s now a stills/video toggle on the top panel, but no deeper grip or top-LCD like that found on the X-H1. I am disappointed it is not an X-H2 by design. The X-T4 uses the same sensor as the X-T3 and I am told there is no 6K as originally rumoured, but we’ll have to wait and see on that one.
The Sigma Fp will get 120fps Cinema DNG RAW recording at 1080p in a forthcoming firmware update, along with several other new features such as an HDR Video mode and ability to record video in the Director’s Viewfinder mode, at various aspect ratios and crop factors.
The toughest competition in 2020 will come from the surprise Canon EOS R5 with 8K video. Although 8K is an attention grabbing technical achievement, most people will use this camera in 4K mode. The competition nevertheless now has an ‘image problem’ delivering cameras at 4K and 6K resolution to customers obsessed with resolution. I do expect the Sony A7S III to shoot 8K and for the GH6 / GH8 to also shoot 8K but really it is all a distraction. What matters isn’t 8K, it is the following…
A complete change in policy at Canon has transpired. The company has decided to compete in the mirrorless cinema market. With Cinema EOS established as a separate business, it seems the stills camera are off the leash. What a fantastic day it is for camera nerds and filmmakers alike who can rejoice in the specs and the creative possibilities of Canon’s new EOS R5 with 8K video and cutting edge new sensor technology.
Shot by the Lumière Brothers in 1896 this is some of the first footage committed to film. There is now a technique to upsample this footage to high resolution 4K/60p using neural networks. Here it is in action on the piece “Arrival of a Train at La Ciotat”.
Yesterday all sorts of rumours started flying around about an EOS R5 with unbelievable video specs. A dream camera. I didn’t believe it. However, further digging by users of the EOSHD Forum, reveal Canon are officially on the record – an 8K EOS R is coming. As well as this, there are some interesting technical aspects in the alleged “leak” which – despite the unbelievably high specs – do actually add-up.