The South Korean film industry is behind a push into anamorphic lenses.
Samsung has joined forces with Fujifilm to develop sensor technology and says it will apply the new innovation to a large sensor.
Could the NX1 finally get a successor?
Cameras and displays have come a long way since the old standard definition Rec.709 standard came to be.
From today, Sony’s colour science now gets a cinematic overhaul on the A7 III and A7R III.
EOSHD Pro Audio presets for Adobe Premiere and Final Cut Pro X, give filmmakers complete control over camera audio in your edit. Video from DSLRs and mirrorless cameras has never sounded better!
It’s flown under the radar for video but the Sony 100 megapixel CMOS sensor is doing amazing things over in the Hasselblad camp – 4K RAW to be exact. You can see a great video of that below but first – I present to you the humble Fujifilm GFX 50S.
If I told you Fujifilm had a full frame mirrorless camera system to compete with the Sony A7R III, a lot of people would sit up and notice. However the GFX 50S is a medium format camera, and these don’t really register on the same radar screen as others.