Canon’s Takeshi Tokura on EOS R5 controversy – “I don’t think video-focused users are driving the reputation of this new product”

Canon’s imaging division general manager Takeshi Tokura has given an interview to Japanese camera website Toyokeizai in which he touches on the EOS R5’s controversial debut for filmmakers.

Tokura claims 8K went on there in an effort to be first ahead of other companies, and that he doesn’t care whether it attracts video users or not.

Read moreCanon’s Takeshi Tokura on EOS R5 controversy – “I don’t think video-focused users are driving the reputation of this new product”

Which camera websites spy on you? Each site ranked for privacy and trackers in Safari 14

One of the great features Apple has introduced lately is to prevent tracking scripts following you as you browse the web, creating personal data profiles that are sold to advertisers. Advertises bid for banners on nearly all camera-related websites. In order to target the right people and bid for the most compelling slots, they need to know who is watching. Web surfing history and private user information is used to build a unique profile of you.

Read moreWhich camera websites spy on you? Each site ranked for privacy and trackers in Safari 14

The genius of Ben Kingsley

Recently I re-watched one of my all-time favourites of Kingsley’s movies “Sexy Beast”. This film is a gem.

He plays tense, psychotic London gangster “Don”. It is the character people will always compare to his most famous role as Ghandi if only to demonstrate the sheer range of the guy, but for me the true genius of Kingsley is his fierce intelligence and originality – how he has a knack for making performances so memorable. The video above is a great watch. I liked his account of Martin Scorsese’s working methods. That he trusts his actors to deliver, giving them the space to contribute, to work the scene themselves, without stuff being constantly telegraphed to them from the side of the set.

As it happens, Sexy Beast is directed by Jonathan Glazer, who came up through the music video ranks in the UK. Some of his earlier work, commercials, are unique experiences as well which stay with me. Sexy Beast is just so thoroughly enjoyable and everyone should give it a watch if they haven’t already. Also Under The Skin with Scarlett Johansson is another of his avant-garde voyage of discoveries – a really odd art-house style film to watch, not as crowd pleasing as Sexy Beast but still very memorable, nightmarish and original. Glazer had Johansson drive around Glasgow in a white van picking up prey (real men folk) on the streets, improvising with these unsuspecting members of the public, weaving them into the movie. It feels so real and believable because it is. They had no inkling or suggestion that they were being filmed in the van, or were in a film, other than the fact that the attractive driver looked unerringly like Scarlett Johansson. Glazer also directed the music video for Radiohead’s Karma Police.

Kingsley’s turn in Sexy Beast is available to watch on Amazon prime here.

Who will kill filmmaking first?

Is there No Limit to our suffering.

Locked in a race as to who can kill the arts first, we bear witness to a gargantuan dick swinging contest fought between haphazard bureaucrats in government and a deadly bat pathogen. The fight is escalating with no end in sight, but one thing is for sure – corporate America will profit endlessly.

Read moreWho will kill filmmaking first?

Wonder Woman 1984 movie review – crimes against men and children

From the moment 11-year old Gal Gadot nearly gets her head sliced off by a giant pendulum, the tone is set. This is a film about complete bollocks. It isn’t even art. I can’t relate to, or enjoy any character. They are all selfish, privileged, shallow people. Yet Wonder Woman 1984 has nailed itself to gender equality, and female identity, thus putting itself beyond criticism.

WW84 starts right away in the spirit of equality and women’s rights. Yes, the opening scene is a fitness pageant. The winner being the one who can jump, leap, ride and shoot their way to the top of a podium in front of an audience of baying supermodels. On the way, a rainbow array of draped flags resembling a bar chart hang from a giant vaginal piercing to grade their progress, as they swim like sperm in a giant ocean. These horrible hyper-competitive masculine women in spandex rush around doing bad CGI gymnastics, covering superhuman distances as if in a video game with a cheat mode.

WW84 is a grating $200 million dollar B-movie.

Read moreWonder Woman 1984 movie review – crimes against men and children

Andrew Reid on Filmmaking: When the truth is so awful, only liars win

Here begins a series of blog thoughts from me on the state of the world and filmmaking in 2021, after humanity decided to go headlong into a full dystopia like you see in the movies. There will in the future be many great cinematic masterpieces about our plight as citizens in the year 2020. Anyone who has seen Black Mirror writer Charlie Brooker’s “Death to 2020” on Netflix can see for themselves the historic plot twists and sheer lunacy of what we’ve been going through the past year.

The overriding themes for me are very interesting and the basis probably for a very good script. Number one, the insane stupidity compounding all of our problems right now. Number two, the status of the truth and why people turn to conspiracy and superstition when faced with hard facts they don’t like. Exhibit A) The British Prime Minister Boris Johnson shaking hands with coronavirus patients and putting himself in intensive care as a result. Exhibit B) All those loony conspiracists and covidiots, some in charge of entire countries, others packed into crowded beaches and shops during the summer as if it was all over.

This battle boils down to the beliefs of individuals, versus what’s right for the collective good of society and what scientific truth tells us. When I see the residents of Paris fleeing the government, due to arbitrary restrictions, I feel for them. The battle for our freedoms, versus the urgent containment of a public health crisis was never going to be easy for the French.

Then in Russia, the truth is pretty much what you can get away with. If a lie serves a means to an end, or makes you money, then it’s pretty much par for the course. I’ve been thinking about how our relationship with the truth is drastically changing like it has for the Russians, and we’re becoming more and more like RT News. When Angela Merkel gave her New Year’s Eve address from Berlin earlier this week, I couldn’t help being repulsed by the sheer logic and factual content of it. In her speech, I wanted to see some inspiration, some patriotism, some aspiration, some hope. I just got a bunch of dry facts telling it like it is and then felt like killing myself afterwards.

Read moreAndrew Reid on Filmmaking: When the truth is so awful, only liars win

A review of the year 2020, by Andrew Reid

Top new cameras of 2020 (My picks)

  • Sony A7S III // 4K 120fps
  • Fuji X-T4 // King of APS-C
  • Panasonic S5 // Value for money
  • Leica SL2-S // Best Leica ever made for videography

2020 has been a very challenging year for us all, made worse by celebrities parading around on social media trying to help us feel better. Some of us lost our livelihoods this year, and after seeing Wonder Woman 1984, some lost the will to live.

Here at EOSHD, I like to think of 2020 as being an unqualified success. I have been sat on the sofa since March.

And after a few more months I finally found the motivation to write this blog post, looking back on all the completely useless cameras released amid a pandemic.

Read moreA review of the year 2020, by Andrew Reid

Camera industry is in crisis. What happens next?

Camera manufacturers are in a race to diversify, gradually leaving behind the traditional camera business. We’re in for a bit of a rollercoaster ride next year.

Although sales have bounced back in China already after the Coronavirus pandemic, Japanese analysts have predicted a massive 40% decrease in shipments for 2020 compared to 2019. This comes on the back of several years of lower shipments already.

What happens next to your favourite camera company? EOSHD takes a look at the main players, how they are changing, and what they may do next –

Read moreCamera industry is in crisis. What happens next?