Part of the parcel of doing a blog about cameras is that occasionally, my bag gets full! Now is time to part with some treasures, so that other people can get some enjoyment out of these ex-EOSHD review and filmmaking cameras.
NAB 2019 begins this weekend and exhibits open to the public on Monday 8th. One of the big talking points this year I think will be DaVinci Resolve 16 and hopefully we will see a big swing away from Adobe Premiere for editing as a result. Adobe will also unveil updates at NAB but I am uninterested, as I really do think their reliability isn’t fit for pro work any more, or any kind of work for that matter.
On the camera side it looks a bit quiet so far. Canon confused us all with the EOS R external RAW recording tweet, but it’s entirely possible their reps don’t know the difference between external HDMI recording and RAW any way.
Holy specs sheet. Z Cam have just announced a series of modular E2 full frame cameras as well as more affordable Super 35mm and Micro Four Thirds versions. The latter is shipping now at B&H for just $1999 and shoots an impressive 120fps 4K to CFast card, 10bit internal no less. The larger sensor versions are due to hit the shelves in October 2019 and include the E2-S6 with Super 35mm 6K sensor costing $3995. Stepping up to $4995 gets you a 6K full frame sensor and a further $1000 upgrades to the mighty E2-F8 (8K from a full frame sensor).
Just like my forum users, I read a few days ago at DPReview that Sigma won’t be making the MC-21 Canon EF adapter compatible with any Leica mirrorless cameras including the Leica SL.
There is now quite some confusion over whether the adapter is going to work with a firmware update, or never? I am waiting for Leica, Panasonic and Sigma to clarify this. In my view the L-mount alliance shouldn’t be plagued by compatibility issues between cameras and lenses with the same mount, nor should there be political reasons for disabling certain products (or a ‘specification change’ as Sigma put it)!