First look at the Fujifilm GFX 50S – could this photo behemoth get RAW video like Hasselblad H6D-100C?

Fujifilm GFX 50S review

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It’s flown under the radar for video but the Sony 100 megapixel CMOS sensor is doing amazing things over in the Hasselblad camp – 4K RAW to be exact. You can see a great video of that below but first – I present to you the humble Fujifilm GFX 50S.

If I told you Fujifilm had a full frame mirrorless camera system to compete with the Sony A7R III, a lot of people would sit up and notice. However the GFX 50S is a medium format camera, and these don’t really register on the same radar screen as others.

Read moreFirst look at the Fujifilm GFX 50S – could this photo behemoth get RAW video like Hasselblad H6D-100C?

Canon EOS M50 – an accidental 4K Digital Bolex

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It’s 2018 and a good video feature arrives on a Canon! I immediately assume it’s an accident, so taunt is the leash Canon has on video specs.¬†Indeed, what makes the M50 appealing to me is the happy accident of what crop factor you get when you cut an 8 megapixel window out of a 24 megapixel sensor. All the best things are happy accidents when it comes to Canon, who gave us DSLR video by accident, then later RAW video on a 5D Mark III with Magic Lantern by accident, then with the M50’s ridiculous crop – a Super 16mm camera!

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Sony A7R III review – the BBC fixed Sony’s colour!

Interlock” is the band in my video shot at “The Famous Gold Watch” Studios. I highly recommend checking them out. The studios are run by my friend Cameron – check them out if you need mixing, mastering and recording facilities in Berlin!

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So I can update EOSHD Pro Color for Sony’s latest colour science I bought the new A7R III from Berlin’s one and only Sony Store this week. $3500 seems to be Sony’s new standard price and yes I am finally broke… but the improvements over the old model turn out to be quite special – especially the new Hybrid LOG Gamma picture profiles.

Read moreSony A7R III review – the BBC fixed Sony’s colour!