Comment on the forum 10bit Fuji-digital-film Super 35mm for £1350 is a yes from me!
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Comment on the forum It’s official. In 4K on the 1.8x crop Canon EOS R, the new 28-70mm F2.0 turns into a 50-126mm F3.6. Shooting with that combo is a $5300 privilege, with no wide angle to speak of. I call for the Canon manager most culpable to resign.
Comment on the forum At least until the A7S III comes out…
https://www.youtube.com/watch?v=JF_sgCYRjiI Comment on the forum This is a really good summary by the Brotographer (follow on Instagram here and YouTube here) of his experience of using EOSHD Pro Color V4 on the A7R III.
Comment on the forum It’s flown under the radar for video but the Sony 100 megapixel CMOS sensor is doing amazing things over in the Hasselblad camp – 4K RAW to be exact. You can see a great video of that below but first – I present to you the humble Fujifilm GFX 50S. If I told you Fujifilm had a full frame mirrorless camera system to compete with the…
https://vimeo.com/271956330 Comment on the forum It’s 2018 and a good video feature arrives on a Canon! I immediately assume it’s an accident, so taunt is the leash Canon has on video specs. Indeed, what makes the M50 appealing to me is the happy accident of what crop factor you get when you cut an 8 megapixel window out of a 24 megapixel sensor. All the best things are happy accidents when…
https://www.youtube.com/watch?v=2uA1S4Djknc&feature=youtu.be “Interlock” is the band in my video shot at “The Famous Gold Watch” Studios. I highly recommend checking them out. The studios are run by my friend Cameron – check them out if you need mixing, mastering and recording facilities in Berlin! Comment on the forum So I can update EOSHD Pro Color for Sony’s latest colour science I bought the new A7R III from Berlin’s one and only…
https://www.youtube.com/watch?v=z21t22vl8Ck&feature=youtu.be Comment on the forum Apple have pulled one out of the bag here. A neural network powered image processor and dual-4K image sensors, on something that isn’t a proper camera.