First look at the Fujifilm GFX 50S – could this photo behemoth get RAW video like Hasselblad H6D-100C?

Fujifilm GFX 50S review

Comment on the forum

It’s flown under the radar for video but the Sony 100 megapixel CMOS sensor is doing amazing things over in the Hasselblad camp – 4K RAW to be exact. You can see a great video of that below but first – I present to you the humble Fujifilm GFX 50S.

If I told you Fujifilm had a full frame mirrorless camera system to compete with the Sony A7R III, a lot of people would sit up and notice. However the GFX 50S is a medium format camera, and these don’t really register on the same radar screen as others.

Read moreFirst look at the Fujifilm GFX 50S – could this photo behemoth get RAW video like Hasselblad H6D-100C?

Canon EOS M50 – an accidental 4K Digital Bolex

Comment on the forum

It’s 2018 and a good video feature arrives on a Canon! I immediately assume it’s an accident, so taunt is the leash Canon has on video specs. Indeed, what makes the M50 appealing to me is the happy accident of what crop factor you get when you cut an 8 megapixel window out of a 24 megapixel sensor. All the best things are happy accidents when it comes to Canon, who gave us DSLR video by accident, then later RAW video on a 5D Mark III with Magic Lantern by accident, then with the M50’s ridiculous crop – a Super 16mm camera!

Read moreCanon EOS M50 – an accidental 4K Digital Bolex

Sony A7R III review – the BBC fixed Sony’s colour!

Interlock” is the band in my video shot at “The Famous Gold Watch” Studios. I highly recommend checking them out. The studios are run by my friend Cameron – check them out if you need mixing, mastering and recording facilities in Berlin!

Comment on the forum

So I can update EOSHD Pro Color for Sony’s latest colour science I bought the new A7R III from Berlin’s one and only Sony Store this week. $3500 seems to be Sony’s new standard price and yes I am finally broke… but the improvements over the old model turn out to be quite special – especially the new Hybrid LOG Gamma picture profiles.

Read moreSony A7R III review – the BBC fixed Sony’s colour!

User reviews and test films for EOSHD Pro Color and Pro LOG

Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99)

Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander

These magic settings are a MUST HAVE.

Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look at some of the reviews, tests and films shot this way.

Read moreUser reviews and test films for EOSHD Pro Color and Pro LOG

Nikon D850 video mode – first impressions are mixed, but at least it’s better than the 5D Mark IV!

Comment on the forum

The main competition to the 5D Mark IV is here and it is a far better specced camera on paper to the Canon, but can it beat the mirrorless Sony and Panasonic competition for video?

Meh.

Read moreNikon D850 video mode – first impressions are mixed, but at least it’s better than the 5D Mark IV!

Sigma’s secret weapon – SD Quattro review, an incredible filmic 8K timelapse tool with infrared capabilities

Comment on the forum

I’ve been shooting timelapses and infrared stills with the Sigma SD Quattro mirrorless camera.

Foveon is a future bayer slayer. Sigma could end up ruling the sensor market for high end cameras in 10 years.

Read moreSigma’s secret weapon – SD Quattro review, an incredible filmic 8K timelapse tool with infrared capabilities