Panasonic S1H to Atomos Ninja V 6K ProRes RAW update now available to download

Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V.

Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance.

Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW outputs from a higher resolution sensor, but not the Panasonic S1H. This should result in the cleanest and best ProRes RAW output on the market.

Read morePanasonic S1H to Atomos Ninja V 6K ProRes RAW update now available to download

My thoughts on the Canon EOS R5 8K monstrosity – 1TB footage per 50 minutes

EOS R5 rear egonomics

Canon have finally admitted that their approach to video in the past has been wrong and maybe – just maybe – EOSHD was right! With the EOS R5 apparently video users are important again, even outside of the Cinema EOS range.

But are the flagship 8K RAW and 4K/120p modes of the EOS R5 actually practical to shoot with on a day to day basis?

Read moreMy thoughts on the Canon EOS R5 8K monstrosity – 1TB footage per 50 minutes

Sony A7S III (Or will it be A7H?) and Canon EOS R5 both set for July launch as Sony officially hint at video specs

Sony has confirmed that the A7S III is finally on the way this Summer, likely in July to coincide with the big Canon rivals – EOS R5 and R6.

I have some more information on what we can expect from the new flagship full frame mirrorless cameras.

Read moreSony A7S III (Or will it be A7H?) and Canon EOS R5 both set for July launch as Sony officially hint at video specs

What next for Sigma? What would you like to see?

Sigma Fp

In my opinion the Sigma Fp was a great camera milestone for creative shooting. As the first Sigma camera to shoot cinema quality 4K and the first full frame stills camera to record 4K RAW internally to SD card, Sigma have gained the attention of filmmakers and set a tone for a very bright future.

Read moreWhat next for Sigma? What would you like to see?

Canon 1D X Mark III Review // Filmmaking, video and cinema camera. Get the Fuji X-T4 instead?

I am having problems with the jog wheel on my 1D X Mark III popping every full 360 degree rotation, so there is a mechanical problem there and my body will be returned for a refund and so this is only a short review.

This review also marks a milestone for EOSHD! After 10 years of blog posts, I am going to be doing YouTube now as well! Looking forward to doing MANY a video and growing the channel in a big way. If you’d like to be interviewed, or featured on the channel, do let me know.

So the 1D X Mark III then…

Read moreCanon 1D X Mark III Review // Filmmaking, video and cinema camera. Get the Fuji X-T4 instead?

Interview with Stephan Schulz, Leica Camera on the SL2 and filmmaking

Stephan Schulz of Leica Camera - Interview

When I began shooting with my own Leica SL2 earlier this year, I found a lot to like about the high-spec mirrorless camera for filmmaking, and of course the SL2 is superb for photography. However, the battery power management has prevented shooting in 4K and 5K reliably, varying depending on the type of lenses used. After making Leica aware of this issue, Leica’s Head of Product Management, Professional Photo System and co-designer of the SL2 Stephan Schulz has been on my case and I have been on his!

The good news is that Leica are investigating the possibility of a firmware update to alleviate the problem and I will be carrying out testing duties for Leica on the video side going forward.

The Leica SL2 battery grip is on the way from Wetzlar and could offer an instant solution, but this needs to be tested. Here we hear directly from Stephan at Leica Camera AG, in this exclusive interview on EOSHD…

Read moreInterview with Stephan Schulz, Leica Camera on the SL2 and filmmaking

Sony A7S III wish list – eND, 8K, 4K/120fps, ProRes, RAW, revolutionary design, Venice colour and even new menus

Does Sony plan to be stone dead last for video specs much longer? Yes, stone dead last. The Canon EOS R5, Nikon Z6, Panasonic S1H, Fuji X-T3, Leica SL2 and of course Fuji GFX 100 all ace the ageing Sony A7S II and flagship A7R IV for video features and image quality. The only companies that don’t are struggling Olympus and stills-orientated Pentax.

Legend has it there is a camera called the A7S III. They say it’s going to “exceed expectations” and put Sony back on top for video. But will it? It’s 2020 and hell has frozen over. A certain Canon EOS R5 has cutting edge video specs nobody saw coming. This means only one thing – the A7S III has no choice but to be very special indeed and may even have to go back to the drawing board.

Read moreSony A7S III wish list – eND, 8K, 4K/120fps, ProRes, RAW, revolutionary design, Venice colour and even new menus