Browsing: raw

https://www.youtube.com/watch?v=CFoUYlW3d-8&feature=youtu.be&fbclid=IwAR2wS6-jp9he0NC52r_fBx4cbYn3dpjMtK8FBX9C0rSX2IgEen9aJ8nRHr4 Comment on the forum Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower priced-end of the pro-cinema market.

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Comment on the forum The Canon 1D X Mark III marks a surprising turn-around for Canon’s video capabilities, at least at $6000. Although you can already shoot full frame 4K RAW on the Sigma Fp for $2000 and full frame 10bit 4:2:2 LOG on the Panasonic S1, if you do have the extra $4000 going spare down the back of the sofa, and need worse ergonomics, fewer features, no EVF…

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Comment on the forum There were two highlights of IBC 2019 for me. The Sigma Fp, and the Z-CAM range. From the ground-up the Sigma Fp seems to be aimed at us, at artists. A small and incredibly light camera that hits the big full frame notes, some of the niche features like the digital director’s viewfinder are unheard of in consumer full frame cameras from major manufacturers. This is clever…

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https://www.youtube.com/watch?v=NZ20yQhMYx4 Comment on the forum It’s common knowledge in the camera industry that RED owns an important patent for a cinema cameras featuring compressed RAW. Now British third party accessory manufacturer Jinni Tech alleges RED “deceived the US patent office” and filed the critical patent late.

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https://www.youtube.com/watch?v=jvnf02X3EhU&feature=youtu.be Comment on the EOSHD Forum The Pocket 6K with Super 35mm sensor is a $2500 upgrade compared to the much cheaper $1200 Pocket 4K. Does it do enough to justify the price increase?

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