Rumour: Blackmagic Pocket 6K Pro with full frame sensor may be announced

I have information that Blackmagic is working on a full frame camera. There is an announcement tomorrow, July 16th of new camera developments. Take this rumour with a pinch of salt but two and two together and stranger things have happened.

Read moreRumour: Blackmagic Pocket 6K Pro with full frame sensor may be announced

Panasonic 8K camera pops up again – now with full frame CMOS sensor

Panasonic’s 8K camera was last seen sporting their Super 35mm organic sensor technology, which remains under development. It can be revealed Panasonic also has a similar camera design with a larger full frame sensor (of the common CMOS type) which leads me to speculate who developed this sensor and what else we may be seeing it in.

Read morePanasonic 8K camera pops up again – now with full frame CMOS sensor

Z-CAM E2-F6 (Full frame 6K) goes head to head with Panasonic S1H (test by Flannel Ninja)

Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower priced-end of the pro-cinema market.

Read moreZ-CAM E2-F6 (Full frame 6K) goes head to head with Panasonic S1H (test by Flannel Ninja)

Sigma Fp Review (Part 1) – Cinema DNG RAW internal recording!

There were two highlights of IBC 2019 for me. The Sigma Fp, and the Z-CAM range. From the ground-up the Sigma Fp seems to be aimed at us, at artists. A small and incredibly light camera that hits the big full frame notes, some of the niche features like the digital director’s viewfinder are unheard of in consumer full frame cameras from major manufacturers.

This is clever and will get the camera a lot of use by top-flight talent. Most exciting for me is the focus on the video recording features – which are big step for Sigma and indeed push the boundaries of what we expect from a “prosumer” camera.

  • Cinema DNG RAW 4K 12bit to USB C SSD media
  • Internal 1080p 12bit internal RAW Cinema DNG uncompressed
  • Internal 4K RAW uncompressed (bit-depth drops to 8bit at the moment)

Read moreSigma Fp Review (Part 1) – Cinema DNG RAW internal recording!

Panasonic S1H review / hands-on – a true 6K full frame cinema camera

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The S1H is the best featured mirrorless camera on the market for filmmakers – just to put it into perspective, let’s start by summarising the entire competition as quickly as we can.

Read morePanasonic S1H review / hands-on – a true 6K full frame cinema camera

Cine Gear Expo reveals new Cinema Lumix camera announcement on May 31

Cine Gear Expo have announced an announcement. Published on their Facebook page, it reveals Panasonic are set to bring a Lumix branded cinema camera to the show on May 31st. It’s speculated that this will be a full frame L mount camera. What isn’t known is what form factor it will take – will it be S1 style, EVA or Varicam – or a mix of all three?

Read moreCine Gear Expo reveals new Cinema Lumix camera announcement on May 31

Z Cam E2 cameras announced – 4K 120fps for $1999 with 16 stops dynamic range AND FULL FRAME 10bit ProRes 8K / 6K versions starting at $4995!!

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Holy specs sheet. Z Cam have just announced a series of modular E2 full frame cameras as well as more affordable Super 35mm and Micro Four Thirds versions. The latter is shipping now at B&H for just $1999 and shoots an impressive 120fps 4K to CFast card, 10bit internal no less. The larger sensor versions are due to hit the shelves in October 2019 and include the E2-S6 with Super 35mm 6K sensor costing $3995. Stepping up to $4995 gets you a 6K full frame sensor and a further $1000 upgrades to the mighty E2-F8 (8K from a full frame sensor).

Read moreZ Cam E2 cameras announced – 4K 120fps for $1999 with 16 stops dynamic range AND FULL FRAME 10bit ProRes 8K / 6K versions starting at $4995!!