The Pocket Bluetooth Controller started off as a simple remote control start-stop trigger but is now so much more. Orders start today on the crowdfunding campaign here. I had a hands-on with it in Manchester today.
Soon CDA-TEK will be taking pre-orders for their Pocket Cinema Camera 4K bluetooth pocket controller. It acts as a wireless interface “hub” as well, not just a way to quickly access camera settings without diving into any menus. The hub allows wireless follow focus control of most lenses on the camera, when paired with a Tilta Nucleus, for example.
I bought the Pocket Cinema Camera 6K recently and decided to take it on a shoot at Monza, to film last weekend’s Formula One race and famous old banking (where sequences for 1966’s John Frankenheimer film Grand Prix were shot). I also had a few stills cameras with me including the Canon EOS RP, and considerably more capable Fuji X-T30 and Samsung’s famous last camera, the NX1, the only good one they ever made. These are super-fast small bodies for travelling light and the NX1 in particular with it’s stunning 4K quality turned out to be perfect for sports photography with the 15fps continuous shooting rate.
It’s common knowledge in the camera industry that RED owns an important patent for a cinema cameras featuring compressed RAW.
Now British third party accessory manufacturer Jinni Tech alleges RED “deceived the US patent office” and filed the critical patent late.
In an understated announcement which was a surprise to almost everyone, Grant Petty CEO of Blackmagic just announced the Blackmagic Pocket Cinema Camera 6K in a YouTube video. Blackmagic have not just put the cat amongst the pigeons with this camera but a proper lion in a field of flamingos.
Keep an eye on the video above today. Blackmagic will live stream “Camera Update” and “Post Production” news later.
Comment on the EOSHD Forum Blackmagic Pocket 4K topic
(415 pages and 1 million views on just one thread!)
Something for Blackmagic to look into here on the EOSHD Forum thread for the Pocket 4K. Anecdotal evidence say the camera is suffering from macro-blocking and banding in blue skies which you don’t expect to see with a 10bit codec let alone a RAW codec. Since the BRAW codec update, various users have been claiming it’s a backward step for the film-look of lossless Cinema DNG raw.