Resolve has truly come of age.
Forever I have been patiently waiting for Blackmagic to give us a sequel to the great story of 2013, where a man called Grant pioneered affordable RAW video for enthusiasts, DSLR shooters and consumers. A huge market. Since the BMCC and Pocket Cinema Camera however they have only focussed on pros. A big pity.
I’ve recently had a Video Assist 4K 7″on loan from Blackmagic. Here are some observations on this newcomer to the 4K recorder party.
Blackmagic have sent me a demo unit. Here are my very early thoughts on the adventurous form factor…
The Blackmagic Micro Cinema Camera is the not-quite-a-replacement for the Pocket Cinema Camera.
Although lacking the ready to shoot straight out of the box form factor of that camera, the new model adds a switchable rolling shutter / global shutter mode as well as high frame rates.
10bit ProRes, 12bit RAW and 13+ stop dynamic range for $995 round out the spec.
Here’s Rodney Charters (DoP, 24) musing on his use of the Blackmagic Pocket Cinema Camera as a POV B-camera to the Alexa.
(The Pocket has also recently been used separately on Warner Bros motion picture American Sniper).
Meanwhile the new Blackmagic URSA Mini 4.6K has begun to find its way into the hands of DPs with beta firmware. Daniel Peters is the latest to shoot a mini-project with it which you can see below along with my opinion of where Blackmagic is going with the new camera.
Some of my favourite images are from cinema cameras and DSLRs from which attention has long since drifted elsewhere!
Rest assured some of the older cameras on this list are better than any of the latest and greatest (if not in terms of usability then in terms of having an analogue film-like feel that screams “cinema” and not “digital”).
Here are my top 5.