Sigma Fp Review – Part 2 – A few bugs you need to know, and comparison to Leica SL2

Sigma Fp vs Leica SL2

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Two of the most unique cameras on the market today are both L-mount with 10bit capabilities in 4K. The Sigma Fp of course shoots Cinema DNG 4K RAW at up to 12bit to SSD via USB C and 8bit RAW internally. The Leica SL2 shoots very high quality 10bit 4K LOG internally with more of a passing resemblance to Arri Alexa colour science and LOG profile.

I thought I’d get to know the two, if that’s the case!

Read moreSigma Fp Review – Part 2 – A few bugs you need to know, and comparison to Leica SL2

Blackmagic Pocket 4K – why I am staying with the Cinema DNG firmware

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(415 pages and 1 million views on just one thread!)

Something for Blackmagic to look into here on the EOSHD Forum thread for the Pocket 4K. Anecdotal evidence say the camera is suffering from macro-blocking and banding in blue skies which you don’t expect to see with a 10bit codec let alone a RAW codec. Since the BRAW codec update, various users have been claiming it’s a backward step for the film-look of lossless Cinema DNG raw.

Read moreBlackmagic Pocket 4K – why I am staying with the Cinema DNG firmware

Sony’s next codec is “XEVC” – could blow the doors off the industry with 8K RAW at 240Mbit

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Sony is working on a new codec to replace XAVC, which is based on the older H.264 compression standard.

The new codec is called XEVC according to leaks, based around H.265 (HEVC) Version 2. This supports Bayer RAW encoding, 8K and 12bit 4K at data rates efficient enough for almost any media, even current SD cards.

Read moreSony’s next codec is “XEVC” – could blow the doors off the industry with 8K RAW at 240Mbit

Canon EOS M50 – an accidental 4K Digital Bolex

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It’s 2018 and a good video feature arrives on a Canon! I immediately assume it’s an accident, so taunt is the leash Canon has on video specs. Indeed, what makes the M50 appealing to me is the happy accident of what crop factor you get when you cut an 8 megapixel window out of a 24 megapixel sensor. All the best things are happy accidents when it comes to Canon, who gave us DSLR video by accident, then later RAW video on a 5D Mark III with Magic Lantern by accident, then with the M50’s ridiculous crop – a Super 16mm camera!

Read moreCanon EOS M50 – an accidental 4K Digital Bolex