Some thoughts on the Fuji X-H1.
The main competition to the 5D Mark IV is here and it is a far better specced camera on paper to the Canon, but can it beat the mirrorless Sony and Panasonic competition for video?
Technically, both shoot 10bit but the C200 is really going to be an 8bit camera for 95% of the people who use it.
The first reliable rumours are coming in about the GH5. According to 43Rumors it will not be ready for Photokina, instead we might be looking at an early 2017 release date. They also appear to be confident about two other aspects – no extra crop of the sensor when shooting 4K and the codec has been bumped up to 10bit 4:2:2 internally!
Friday 7am London time sees the release of a firmware update for the Sony FS5 which optimises the performance of internal recording, fixing the issues spotted by early adopters of the camera including myself (Andrew Reid) and Paul Antico.
The Sony FS5 has had a largely warm welcome from the video community but there has been one thing bugging a lot of owners and potential buyers alike – the quality of the internal codec.
Just how good or bad is it?
I am experiencing a problem with Adobe Premiere which destroys the quality of Canon 1D C footage. It’s a problem which has always been attributed to the camera and others like it – banding with an 8bit codec. But actually, could the software you use to edit material play a role?
This is a bombshell announcement, a massive upset and a surprise that the NX1 has a 4K H.265 codec. With this model, Samsung have taken technological step-change to the market, adding the first ever High Efficiency Video Codec (HVEC H.265) along with 4K 24p and Ultra HD at 30p to a $1499 mirrorless camera with Super 35mm sensor (APS-C). The codec is a successor to H.264 and is capable of providing ProRes quality at less than half the file size.