Has there ever been a more pointless increase in resolution? I found this video hilarious!
In my opinion 8K’s future lies in VR.
At IBC the Organic Sensor technology Panasonic is developing turned up in the camera above (with a rather nice choice of Cooke cinema lens). Along with the prototype camera, Panasonic had a wealth of information about what makes it such a big step for filmmaking and video.
Rumours out of Apple WWDC 19 talk about both Canon and Nikon 8K cameras being used to shoot ProRes RAW 8K footage for Mac Pro demos.
Footage from a documentary about Nikon ambassador Ami Vitale photographing Kenya was supposably shot in ProRes RAW 8K and the speculation was she shot with an as-yet unreleased Nikon Z9 with 8K output to an external recorder. Actually the documentary was shot on RED Monstro in 8K by Kiwi cinematographer Mark Toia of ZOOM Film and Television.
Meanwhile a Canon 8K camera resembling a C300 II is seen shooting props against a green screen for augmented reality demos on the new Mac Pro. This prototype has actually been shown by Canon before, most recently in 2018 at Inter BEE. The prototype has an 8K sensor and processor, but recording is external via SDI.
Indeed, Canon’s Super 35mm 8K prototype first dates back to 2015 and has been steadily developing since.
I am convinced Sony will go in the direction of Quad Bayer stacked CMOS sensors for the A7S series and it’s a major reason we’ve waited so long for it. I also think the FS5’s electronically variable ND filter will be in the camera too.
Quad Bayer answers the conundrum of balancing low light performance and megapixel count. It is the best of both worlds and allows a 48 megapixel 8000 x 6000 image and 8K video – at the same time as 4000 x 3000 and 4K video with better low light performance.
The proof of concept is sitting in my hands right now. Step forward the mighty Xiaomi Mi 9 smartphone with 48 megapixel Sony Quad Bayer sensor and 960fps slow-mo.
Holy specs sheet. Z Cam have just announced a series of modular E2 full frame cameras as well as more affordable Super 35mm and Micro Four Thirds versions. The latter is shipping now at B&H for just $1999 and shoots an impressive 120fps 4K to CFast card, 10bit internal no less. The larger sensor versions are due to hit the shelves in October 2019 and include the E2-S6 with Super 35mm 6K sensor costing $3995. Stepping up to $4995 gets you a 6K full frame sensor and a further $1000 upgrades to the mighty E2-F8 (8K from a full frame sensor).
Sony is working on a new codec to replace XAVC, which is based on the older H.264 compression standard.
The new codec is called XEVC according to leaks, based around H.265 (HEVC) Version 2. This supports Bayer RAW encoding, 8K and 12bit 4K at data rates efficient enough for almost any media, even current SD cards.