X-H2 anyone? With the X-T4 confirmed to be staying at 4K, a big 8K door swings opens for a higher spec hybrid camera from Fujifilm.
A complete change in policy at Canon has transpired. The company has decided to compete in the mirrorless cinema market. With Cinema EOS established as a separate business, it seems the stills camera are off the leash. What a fantastic day it is for camera nerds and filmmakers alike who can rejoice in the specs and the creative possibilities of Canon’s new EOS R5 with 8K video and cutting edge new sensor technology.
Yesterday all sorts of rumours started flying around about an EOS R5 with unbelievable video specs. A dream camera. I didn’t believe it. However, further digging by users of the EOSHD Forum, reveal Canon are officially on the record – an 8K EOS R is coming. As well as this, there are some interesting technical aspects in the alleged “leak” which – despite the unbelievably high specs – do actually add-up.
Has there ever been a more pointless increase in resolution? I found this video hilarious!
In my opinion 8K’s future lies in VR.
At IBC the Organic Sensor technology Panasonic is developing turned up in the camera above (with a rather nice choice of Cooke cinema lens). Along with the prototype camera, Panasonic had a wealth of information about what makes it such a big step for filmmaking and video.
Rumours out of Apple WWDC 19 talk about both Canon and Nikon 8K cameras being used to shoot ProRes RAW 8K footage for Mac Pro demos.
Footage from a documentary about Nikon ambassador Ami Vitale photographing Kenya was supposably shot in ProRes RAW 8K and the speculation was she shot with an as-yet unreleased Nikon Z9 with 8K output to an external recorder. Actually the documentary was shot on RED Monstro in 8K by Kiwi cinematographer Mark Toia of ZOOM Film and Television.
Meanwhile a Canon 8K camera resembling a C300 II is seen shooting props against a green screen for augmented reality demos on the new Mac Pro. This prototype has actually been shown by Canon before, most recently in 2018 at Inter BEE. The prototype has an 8K sensor and processor, but recording is external via SDI.
Indeed, Canon’s Super 35mm 8K prototype first dates back to 2015 and has been steadily developing since.
I am convinced Sony will go in the direction of Quad Bayer stacked CMOS sensors for the A7S series and it’s a major reason we’ve waited so long for it. I also think the FS5’s electronically variable ND filter will be in the camera too.
Quad Bayer answers the conundrum of balancing low light performance and megapixel count. It is the best of both worlds and allows a 48 megapixel 8000 x 6000 image and 8K video – at the same time as 4000 x 3000 and 4K video with better low light performance.
The proof of concept is sitting in my hands right now. Step forward the mighty Xiaomi Mi 9 smartphone with 48 megapixel Sony Quad Bayer sensor and 960fps slow-mo.