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The South Korean film industry is behind a push into anamorphic lenses.
anamorphic
Panasonic GH5 Review and exclusive first look at Version 2.0 firmware
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Firmware 2.0 for the Panasonic GH5 has been officially announced, and will be available for download at the end of September 2017. View the full press release and list of changes here
I’ve been testing a pre-production version of this on my camera thanks to Panasonic, to bring you my first impressions of the new features which include:
- Professional 400Mbit ALL-I intraframe codec for 10bit 4K 4:2:2
- “Open Gate” High Resolution Anamorphic Mode (4992 x 3744)
- Hybrid Log Gamma with view assist feature for HDR shooting
- New and improved autofocus engine for video
- Performance optimisations and bug fixes
Read on to find out what it’s like to shoot with…
Read morePanasonic GH5 Review and exclusive first look at Version 2.0 firmware
SLR Magic Anamorphot CINE PL Set 35/50/70 – a shoot in London and Brighton with the Sony A7S II and Samsung NX1
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The new titanium PL mount SLR Magic Anamorphot cinema lenses are designed for RED users, Canon and Arri professionals. They’re also a great fit for the Sony A7S II and Samsung NX1.
Not just vinyl for hipsters! The return of Ultra Panavision 70! Film is back with a vengeance with The Hateful Eight and Tarantino has a behind the scenes look for us
For his upcoming snowy western Tarantino unearthed special cameras and 1.25x anamorphic lenses at Panavision which hadn’t seen the light of day since 1965.
The film was shot on 65mm film and will get a ‘Roadshow’ release on Christmas day in amazing 70mm.
SLR Magic announce set of 2:1 anamorphic cinema primes
SLR Magic today unveiled a set of 2x anamorphic prime lenses designed for indie filmmakers. The set comprising of a 35mm, 50mm and 70mm will be on show at IBC in Amsterdam from September 11-15th 2015 and later in New York at the Photo Plus show (Panasonic stand).
Read moreSLR Magic announce set of 2:1 anamorphic cinema primes