The FX6 slogan should be Miss Every Shot (while fiddling with the menus).
The Sony A7S series has always been considered the leader in low light at very high ISOs. But at just 12 megapixels, it’s a big sacrifice in resolution to get there especially in the 8K age.
The main thing that strikes me about the current 24 megapixel full frame sensors is they are CLEAN. Certainly ISO 3200 on my Panasonic S5 looks very similarly clean to ISO 3200 on the new Sony A7S III. I’ll be exploring this with my own test soon.
It’s been a long wait for the Sony A7S III. Maturity takes time. 5 years for Sonys cameras to develop into tools that feel like cameras. I never had the inspired feeling picking up a clinical Sony before. However the A7S III is a huge improvement… at a price.
When does a heat dissipating structure become a heat absorption structure in direct sunlight?
There are now a few confirmed reports by the first Sony A7S III reviewers that the camera has an overheating problem in bright midday sun.
COVID-19 has changed many things and one of them is that Sony no longer releases cameras. In a stunning break with tradition, rumours and an assortment of tasty catchphrases are now Sony’s main camera line.
The latest Sony Rumour Camera even shoots 4K Rumours at 120fps in 10bit 4:2:2 and features an innovative shutter noise. Instead of a *clack* the camera plays words out of the lens mount which eventually add up to an entire recording of Kenji Tanaka hinting at “surpassing expectations”.
Sony has confirmed that the A7S III is finally on the way this Summer, likely in July to coincide with the big Canon rivals – EOS R5 and R6.
I have some more information on what we can expect from the new flagship full frame mirrorless cameras.
Does Sony plan to be stone dead last for video specs much longer? Yes, stone dead last. The Canon EOS R5, Nikon Z6, Panasonic S1H, Fuji X-T3, Leica SL2 and of course Fuji GFX 100 all ace the ageing Sony A7S II and flagship A7R IV for video features and image quality. The only companies that don’t are struggling Olympus and stills-orientated Pentax.
Legend has it there is a camera called the A7S III. They say it’s going to “exceed expectations” and put Sony back on top for video. But will it? It’s 2020 and hell has frozen over. A certain Canon EOS R5 has cutting edge video specs nobody saw coming. This means only one thing – the A7S III has no choice but to be very special indeed and may even have to go back to the drawing board.
The sensor for the A7S III has leaked on the EOSHD Forum, with 4K/60p and an HDR mode in 4K and at 15 megapixels thanks to a Quad Bayer pattern. If you care to take a look at the specs here – you’ll notice a few interesting things. There is only a small megapixel boost from the old 12 megapixel sensor (which rules out 8K) but a completely different architecture with 60 million photosites in a Quad Bayer arrangement, so in this respect the sensor represents a big step up in resolution and colour capture data from a standard bayer sensor.