Sony have taken the wraps off their biggest release of the year, the A7R III. It’s a very respectable update for photographers, a smaller one for video shooters.
Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander
These magic settings are a MUST HAVE.
Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look at some of the reviews, tests and films shot this way.
I am pleased to announce that a year after the original, there is a major update to EOSHD Pro Color for Sony cameras.
In addition to the new Pro Color 3.0 with additional profiles, I am launching EOSHD Pro LOG as well. This takes all the advantages of Pro Color into an easy to grade C-LOG-like profile for your Sony camera. Pro LOG also comes with 25 EOSHD Film LUTs for an instant cinematic grade in post.
On the EOSHD Forum recently, filmmaker Oliver Daniel raised a very good point about the Canon C200 –
“It’s a professional camera, used for professional jobs that pay well. (or it’s an expensive hobby camera!) For this purpose, you then have to start thinking about smaller B and C cameras – and this is where the prospect falls. Sony has an A7S II, A7R II, RX10, RX100, A6500, A99II, A9…. many options in different sizes and purposes for an easy multi-camera workflow. ”