Dynamic range test – EOS R / X-T3 / Z7 / A7 III / GH5S / who has the best LOG?

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On the Nikon Z7 how much difference does 10bit N-LOG make?

Is there a step up from the Canon EOS R when you record 10bit externally?

How does the Fuji X-T3 compare in F-LOG at 10bit internally?

All the questions and more I set out to answer here…

Read moreDynamic range test – EOS R / X-T3 / Z7 / A7 III / GH5S / who has the best LOG?

Masters of darkness – Panasonic GH5S and Sony A7R III in extreme low light

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Note: My camera is running firmware version 0.2! If the performance changes when updated, I will re-do the test

Does the Panasonic GH5S finally achieve full-frame like performance at ISO 12,800 against the best of the competition?

Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5.

Read moreMasters of darkness – Panasonic GH5S and Sony A7R III in extreme low light

User reviews and test films for EOSHD Pro Color and Pro LOG

Special offer: Pro Color 3.0 & Pro LOG Premium Bundle – just $37.99 ($49.99)

Above: EOSHD Pro Color 3.0 and Pro LOG comparison shot on the Sony FS5 by Ethan Alexander

These magic settings are a MUST HAVE.

Don’t take my word for it though. I am biased! Other filmmakers and Sony users have been busy shooting with EOSHD Pro Color 3.0 and Pro LOG. It’s interesting to take a look at some of the reviews, tests and films shot this way.

Read moreUser reviews and test films for EOSHD Pro Color and Pro LOG