SLR Magic Anamorphic 2x on the Panasonic GH4 (4:3)
[pullquote]Comment on the forum[/pullquote] At Photokina 2014 I gave my first impressions of the prototype SLR Magic Anamorphic 2x on the GH4. Now I have a newer version of the lens with…
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test
Stories tagged “test”.
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Samsung NX1 vs Canon C300 (image quality)
[pullquote]Comment on the forum[/pullquote] The Canon C300 (currently reduced to $11,500) was the $15,000 stalwart of the professional videographer, only recently did it have a compelling rival - the Sony FS7. The…
Nikon D810 video quality leapfrogs Canon 5D Mark III
The D810 now shoots better quality 1080p out of the box than the 5D Mark III. It isn't 4K or raw but it's good. In fact Nikon are now providing better image…
Nikon D750 video quality is a step forward, but how much of one?
At Photokina (Photokino for video users!) I briefly played with the Nikon D750. With the camera tethered to a sales rep stand and so much else for filmmakers at the show like…
Evolving Sony A7S Review (Part 1)
I've had the A7S for over a week now and can share my initial thoughts, even some firm conclusions. Here's one I've come to already - the Sony A7S is the best…
Grading the Sony A7S with S-LOG 2 and some EOSHD cinematic looks for download
Only a few years ago S-LOG was a $3800 upgrade for the Sony CineAlta F3, itself a $15,000 camera. S-LOG made its debut on the Sony F35, a workhorse of Hollywood. Now…
Slashcam test reveals Sony A7S 1080/60p softer than 24p mode
Slashcam have chart tested the A7S internal recording modes and the results for the regular frame rates 24-30p are incredibly positive. However it seems that in 60p the camera cannot utilise the…
A real world Sony A7S rolling shutter test vs the Blackmagic Pocket Cinema Camera
Just how is the rolling shutter exactly on the A7S - intolerable or similar to what we're used to on other DSLRs? UPDATE 1: Samuel H has added the A7S to his…
DXOMark rates GH4 at 13 stops dynamic range - 1 stop better than 5D Mark III
DXOMark have tested the raw sensor output of the GH4. Raw stills have 12.8 stop dynamic range vs 11.7 stops on the 5D Mark III, illustrating just how far ahead almost everyone…