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I am perplexed!
Read moreCanon EOS R first impressions – INSANE split personality camera
lenses
Canon EOS M50 – an accidental 4K Digital Bolex
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It’s 2018 and a good video feature arrives on a Canon! I immediately assume it’s an accident, so taunt is the leash Canon has on video specs. Indeed, what makes the M50 appealing to me is the happy accident of what crop factor you get when you cut an 8 megapixel window out of a 24 megapixel sensor. All the best things are happy accidents when it comes to Canon, who gave us DSLR video by accident, then later RAW video on a 5D Mark III with Magic Lantern by accident, then with the M50’s ridiculous crop – a Super 16mm camera!
Fast apertures on the GH5 = Full frame
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Bigger sensor, or faster lens? Which is most important?
Well, a lens you can change and your sensor you cannot.
Here’s how to stop worrying about crop sensors.
Sony A7 III arrives – full frame 4K HDR video oversampled from 6K – $1999
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The gulf in capability between Canon and Sony continues to widen with the A7 III – the entry level full frame mirrorless model, which is practically an A9 with HDR and S-LOG for less than half the price. The new ergonomic refresh and larger Z battery with 710 shots per charge (longest of any mirrorless camera yet) are just as appealing as the headline specs.
Read moreSony A7 III arrives – full frame 4K HDR video oversampled from 6K – $1999