A peerless medium format lens for the size. The images are lucid and autofocus superb on the GFX 100.
Here’s my first look for the autofocus adapter on the Nikon Z6/Z7, which essentially converts the camera into a fully featured Sony E mount body.
What’s the point of having an alliance around a single lens mount if the adapters and lenses don’t work on every camera?
That’s the big question Panasonic, Leica and Sigma should be asking themselves today.
Most disappointingly of all, it turns out that the EOS RP lacks Dual Pixel AF in 4K video mode, like the M50, which means it’s a “no-buy” from me and better to stick with the EOS R until the pro body is released, which perhaps, is the intention.
Fuji on the other hand – an even smaller, lighter (380g) and cheaper camera has a full-width 6K sensor readout without overheating and most of the 4K video features of the superb X-T3 for under $900, with F-LOG, 120fps 1080p and bonus 10bit 4:2:2 external output.
There is a GULF between Canon and Fuji in their video technology.
And he calls this video a “reality check”!?