How much longer must video shooters go on taking these middle fingers from the market leader?
Behold, the day has finally come.
Fuji is stepping into the high-end video mirrorless market with the X-H1. The official press release and specs have been leaked (in German). With this camera comes a massively upgraded 4K codec, 5 axis IBIS and a total of 20 “functional and performance enhancements”.
Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…
The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.
For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.