Rumours have gained pace all over the place about the X-T4 and the discontinuation of the X-H2. I have to say this makes perfect sense if the X-T4 is going to be an X-H2 anyway in video terms. 10bit 6K/60p anyone?
We have waited a long time for today – a true Canon 1D C sequel. This is also the first time since the 2012 Canon have released a ‘cutting edge’ DSLR for filmmakers. There’s good news and bad news – of course it costs $6500, has no EVF or IBIS by nature and many will say the form factor is obsolete compared to the full frame 10bit mirrorless competition.
Canon’s Larry Thorpe has published an excellent technical white-paper with the camera, so let’s take an in-depth look at the video specs…
Above: X-T30 versus the EOS RP (coming soon on EOSHD)
The Canon 90D targets wildlife shooters. I refuse to believe we’re a smaller market than wild boar pig lovers.
The wait for the A7S III goes on!
Apple have been criticised in the past for being too consumer focused. Nobody can accuse them of a watered down approach when it comes to the new Mac Pro. It’s an outrageously expensive machine aimed at businesses and Hollywood. The new Mac Pro also features Afterburner, which is a FPGA hardware accelerator card exclusive to Apple. This custom hardware with over a million logic cells, handles no less than 3 streams of 8K ProRes RAW and up to 12 streams of 4K ProRes RAW.
Apple expects significant bulk orders from corporate clients with this new machine. Movie studios, companies like Adobe, Pixar and CGI firms will be top of the list.
Those hoping for a $2k-$3k machine to compete on value for money versus top of the range PCs can forget it.
Oh look! It’s time for Canon to roll out their old chips again! The EOS RP has an identical sensor to the 6D Mark II, with a micro-lens array design more suited to mirrorless lenses. Canon openly admit in interviews that the RP cannot even do cropped 4K/30p without overheating. Even the modest bump in frame rate would have necessitated “a larger body design”, they say. Not sure I believe them, but clearly the technology is behind the curve.
Most disappointingly of all, it turns out that the EOS RP lacks Dual Pixel AF in 4K video mode, like the M50, which means it’s a “no-buy” from me and better to stick with the EOS R until the pro body is released, which perhaps, is the intention.
Fuji on the other hand – an even smaller, lighter (380g) and cheaper camera has a full-width 6K sensor readout without overheating and most of the 4K video features of the superb X-T3 for under $900, with F-LOG, 120fps 1080p and bonus 10bit 4:2:2 external output.
There is a GULF between Canon and Fuji in their video technology.
Now this is a bit more like it. It isn’t quite a Sony A7 III but it is definitely the most interesting full frame camera for $1299.
Like the scene in Carrie where her dead hand violently springs from the grave, below the stone which marks CANON EOS RIP a more generous hand is about to protrude.