The gulf in capability between Canon and Sony continues to widen with the A7 III – the entry level full frame mirrorless model, which is practically an A9 with HDR and S-LOG for less than half the price. The new ergonomic refresh and larger Z battery with 710 shots per charge (longest of any mirrorless camera yet) are just as appealing as the headline specs.
Fuji is stepping into the high-end video mirrorless market with the X-H1. The official press release and specs have been leaked (in German). With this camera comes a massively upgraded 4K codec, 5 axis IBIS and a total of 20 “functional and performance enhancements”.
Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…
The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.
For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.
In the last few weeks you may have heard rumors about the Panasonic “GH5S” from the usual places. It all sounds quite compelling. Rather than a high megapixel stills and video hybrid, the “S” model would focus even more on cinema with some astounding capabilities not seen on anything remotely similar.
Sony have taken the wraps off their biggest release of the year, the A7R III. It’s a very respectable update for photographers, a smaller one for video shooters.