Sigma Fp Review – Part 2 – A few bugs you need to know, and comparison to Leica SL2

Sigma Fp vs Leica SL2

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Two of the most unique cameras on the market today are both L-mount with 10bit capabilities in 4K. The Sigma Fp of course shoots Cinema DNG 4K RAW at up to 12bit to SSD via USB C and 8bit RAW internally. The Leica SL2 shoots very high quality 10bit 4K LOG internally with more of a passing resemblance to Arri Alexa colour science and LOG profile.

I thought I’d get to know the two, if that’s the case!

Read moreSigma Fp Review – Part 2 – A few bugs you need to know, and comparison to Leica SL2

Fujifilm hint at 44×33 large format “GFX-H100” filmmaker’s camera / open gate 4K3K

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With Canon debuting the C500 II today, demand for a full frame in a C-series body is clearly there but Fujifilm is looking further into to the future. Their X-Trans IV sensor technology has already debuted in the GFX 100 and X-T3 but I can reveal a leaked slide-show shows Fujifilm might be taking the technology much further than we believed…

A large format 44×33 camera optimised for open gate 4K3K RGB (perfect for an anamorphic mode).

Read moreFujifilm hint at 44×33 large format “GFX-H100” filmmaker’s camera / open gate 4K3K

NOPE! Canon did NOT remove 24p from the 90D and EOS M6 II to save H.264 licensing fees

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A particularly strange virus has spread across the internet, which seems to infect people defending Canon’s latest cameras, shorn of the cinema frame rate 24p.

Read moreNOPE! Canon did NOT remove 24p from the 90D and EOS M6 II to save H.264 licensing fees

Canon EOS RP and Fuji X-T30 announced – a Grand Canyon sized gap in 4K technology

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Oh look! It’s time for Canon to roll out their old chips again! The EOS RP has an identical sensor to the 6D Mark II, with a micro-lens array design more suited to mirrorless lenses. Canon openly admit in interviews that the RP cannot even do cropped 4K/30p without overheating. Even the modest bump in frame rate would have necessitated “a larger body design”, they say. Not sure I believe them, but clearly the technology is behind the curve.

Most disappointingly of all, it turns out that the EOS RP lacks Dual Pixel AF in 4K video mode, like the M50, which means it’s a “no-buy” from me and better to stick with the EOS R until the pro body is released, which perhaps, is the intention.

Fuji on the other hand – an even smaller, lighter (380g) and cheaper camera has a full-width 6K sensor readout without overheating and most of the 4K video features of the superb X-T3 for under $900, with F-LOG, 120fps 1080p and bonus 10bit 4:2:2 external output.

There is a GULF between Canon and Fuji in their video technology.

Read moreCanon EOS RP and Fuji X-T30 announced – a Grand Canyon sized gap in 4K technology

Olympus E-M1X – is it worth $3000?

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The E-M1 II is one of my favourite cameras. Now the high-end version has been officially unveiled, I have to say I am a little bit disappointed. I had expected an all-new technological marvel to justify the price tag… Instead the E-M1X is very much based on 2-year old technology from the E-M1 II.

It is a little bit like an E-M1 II with a firmware update and vertical grip.

Read moreOlympus E-M1X – is it worth $3000?