Canon EOS R6 shoots 10bit 4K/60 (but NO RAW) – How it compares to the EOS R5

With the price of the EOS R5 set at £4199 here in the UK, that is firmly pro-territory, but Canon has an enthusiast version too which will be the focus of many at EOSHD. The Canon EOS R6 is a competitor to the Sony A7 III, Panasonic S1 and Nikon Z6. It brings 10bit to the table over the 8bit only Sony & Nikon – and Dual Pixel Autofocus to the plate which is an advantage over the Panasonic cameras.

Canon users will also like the fact that the EOS R6 at $2500 / £2500 puts a lot right for video users compared to the disappointing first EOS R.

Read moreCanon EOS R6 shoots 10bit 4K/60 (but NO RAW) – How it compares to the EOS R5

Canon 1D X Mark III Review // Filmmaking, video and cinema camera. Get the Fuji X-T4 instead?

I am having problems with the jog wheel on my 1D X Mark III popping every full 360 degree rotation, so there is a mechanical problem there and my body will be returned for a refund and so this is only a short review.

This review also marks a milestone for EOSHD! After 10 years of blog posts, I am going to be doing YouTube now as well! Looking forward to doing MANY a video and growing the channel in a big way. If you’d like to be interviewed, or featured on the channel, do let me know.

So the 1D X Mark III then…

Read moreCanon 1D X Mark III Review // Filmmaking, video and cinema camera. Get the Fuji X-T4 instead?

Canon awaken and release details of EOS R5 video specs – 8K RAW INTERNAL & 4K/120p 10bit

Canon EOS R5 8K video specs

Ever since Canon began disappointing us in 2011, we’ve been waiting for that historic moment where they turn the corner. Long-time readers of EOSHD will remember with fondness the first time we shot RAW video on our Canon 5D Mark III DSLRs thanks to Magic Lantern and now finally there is an official solution. And what a solution it is.

Read moreCanon awaken and release details of EOS R5 video specs – 8K RAW INTERNAL & 4K/120p 10bit

Inspecting the Fuji GFX 100, and having a cup of tea

Fujifilm GFX 100 with Canon Dream Lens

I often look at the 4 or 5 cameras in my bag and think “this cost me far too much and they’re all the same”. Then I have a cup of tea and try to forget about it.

Yes it’s true, the full frame market is overcrowded and image quality differences between them are getting smaller. What about selling 3 or 4 of those cameras, I thought to myself… And consolidating them into one giant mad one.

Read moreInspecting the Fuji GFX 100, and having a cup of tea

Canon EOS R5 8K video – It’s official – Monster camera puts Canon back in the match

A complete change in policy at Canon has transpired. The company has decided to compete in the mirrorless cinema market. With Cinema EOS established as a separate business, it seems the stills camera are off the leash. What a fantastic day it is for camera nerds and filmmakers alike who can rejoice in the specs and the creative possibilities of Canon’s new EOS R5 with 8K video and cutting edge new sensor technology.

Read moreCanon EOS R5 8K video – It’s official – Monster camera puts Canon back in the match

Sigma Fp Review – Part 2 – A few bugs you need to know, and comparison to Leica SL2

Sigma Fp vs Leica SL2

Two of the most unique cameras on the market today are both L-mount with 10bit capabilities in 4K. The Sigma Fp of course shoots Cinema DNG 4K RAW at up to 12bit to SSD via USB C and 8bit RAW internally. The Leica SL2 shoots very high quality 10bit 4K LOG internally with more of a passing resemblance to Arri Alexa colour science and LOG profile.

I thought I’d get to know the two, if that’s the case!

Read moreSigma Fp Review – Part 2 – A few bugs you need to know, and comparison to Leica SL2

Fujifilm hint at 44×33 large format “GFX-H100” filmmaker’s camera / open gate 4K3K

With Canon debuting the C500 II today, demand for a full frame in a C-series body is clearly there but Fujifilm is looking further into to the future. Their X-Trans IV sensor technology has already debuted in the GFX 100 and X-T3 but there is a slideshow which shows how Fujifilm might be taking the technology much further than we believed…

A large format 44×33 camera optimised for open gate 4K3K RGB (perfect for an anamorphic mode).

Read moreFujifilm hint at 44×33 large format “GFX-H100” filmmaker’s camera / open gate 4K3K

NOPE! Canon did NOT remove 24p from the 90D and EOS M6 II to save H.264 licensing fees

A particularly strange virus has spread across the internet, which seems to infect people defending Canon’s latest cameras, shorn of the cinema frame rate 24p.

Read moreNOPE! Canon did NOT remove 24p from the 90D and EOS M6 II to save H.264 licensing fees