Dynamic range test – EOS R / X-T3 / Z7 / A7 III / GH5S / who has the best LOG?

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Download an original 700MB file at Vimeo (Plus or Pro membership required)

On the Nikon Z7 how much difference does 10bit N-LOG make?

Is there a step up from the Canon EOS R when you record 10bit externally?

How does the Fuji X-T3 compare in F-LOG at 10bit internally?

All the questions and more I set out to answer here…

Read moreDynamic range test – EOS R / X-T3 / Z7 / A7 III / GH5S / who has the best LOG?

Will Sony end the A7S line?

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NAB and IBC have been and gone. No A7S III. In Sony’s most recent marketing presentations, they outline a three-pronged strategy for cameras – “Basic”, “Resolution” and “Speed”. This is a change from the previous strategy of “Basic”, “Resolution” and “Low Light + Video” and with the A7 III having such good low light and video capabilities, will Sony bother with an A7S III?

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Blackmagic Pocket Cinema Camera 4K RAW and ProRes 422 footage released for download

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Blackmagic have released the first files straight off the Pocket Cinema Camera 4K, for grading and evaluation.

How does the image stack up?

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Panasonic GH5S brings massive low light improvement – exclusive interview and hands-on

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Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…

The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.

For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.

Read morePanasonic GH5S brings massive low light improvement – exclusive interview and hands-on