10bit Fuji-digital-film Super 35mm for £1350 is a yes from me!
NAB and IBC have been and gone. No A7S III. In Sony’s most recent marketing presentations, they outline a three-pronged strategy for cameras – “Basic”, “Resolution” and “Speed”. This is a change from the previous strategy of “Basic”, “Resolution” and “Low Light + Video” and with the A7 III having such good low light and video capabilities, will Sony bother with an A7S III?
Blackmagic have released the first files straight off the Pocket Cinema Camera 4K, for grading and evaluation.
How does the image stack up?
Just last month I went to visit Panasonic UK for a hands-on with the new Panasonic GH5S. My full review is in the pipeline but first an introduction to the new camera on the block…
The GH5S has a newly developed 10.2MP sensor for enhanced low light performance with Dual Native ISO technology, as well as 240fps 1080p S&Q.
For the first time since the GH2 this sensor is an over-sized 1.86x crop multi-aspect sensor. Possible for the first time is 60p at Cinema 4K resolution (4096 x 2160), whereas the GH5 is just Ultra HD 60p. The field-of-view will be slightly wider in Cinema 4K on the GH5S compared to the GH5 due to the larger sensor. The new CMOS also brings colour improvements with a new 14bit readout and less noise.
Firmware 2.0 for the Panasonic GH5 has been officially announced, and will be available for download at the end of September 2017. View the full press release and list of changes here
I’ve been testing a pre-production version of this on my camera thanks to Panasonic, to bring you my first impressions of the new features which include:
- Professional 400Mbit ALL-I intraframe codec for 10bit 4K 4:2:2
- “Open Gate” High Resolution Anamorphic Mode (4992 x 3744)
- Hybrid Log Gamma with view assist feature for HDR shooting
- New and improved autofocus engine for video
- Performance optimisations and bug fixes
Read on to find out what it’s like to shoot with…