Panasonic S1H to Atomos Ninja V 6K ProRes RAW update now available to download

Panasonic S1H owners today can start recording in high-end cinema camera standard 6K 12bit ProRes RAW via HDMI to the Atomos Ninja V.

Unlike many ProRes RAW HDMI outputs this one is a full pixel readout from a native 6K sensor, with dual gain circuitry and incredible low light performance.

Most cameras have to pixel bin to achieve 12 bit colour depth in their 4K RAW outputs from a higher resolution sensor, but not the Panasonic S1H. This should result in the cleanest and best ProRes RAW output on the market.

Read morePanasonic S1H to Atomos Ninja V 6K ProRes RAW update now available to download

Heat management – What Canon can learn from the Panasonic S1H and Sigma Fp

Let’s have a look at thermal management on small mirrorless cameras. The solutions shown here prevent overheating on the Sigma Fp and Panasonic S1H during long recordings. The Sigma Fp shoots 4K RAW internally from a 6K sensor and the Panasonic S1H shoots 6K internally in 10bit 4:2:2 V-LOG.

Canon can learn from the design of the Sigma Fp and Panasonic S1H when it comes to offering professional video features in a small weather sealed body.

Read moreHeat management – What Canon can learn from the Panasonic S1H and Sigma Fp

Thoughts on Panasonic G100 – Why they got it wrong

Above: Camera Conspiracies has a point!

I’ve always been a big Panasonic shooter and no other company has done more to pioneer affordable 4K filmmaking.

However I shouldn’t let my love of Panasonic’s cameras like the GH5 and S1H blind me to the failures.

I’m afraid we need to talk about the G100.

Read moreThoughts on Panasonic G100 – Why they got it wrong

Interview with Stephan Schulz, Leica Camera on the SL2 and filmmaking

Stephan Schulz of Leica Camera - Interview

When I began shooting with my own Leica SL2 earlier this year, I found a lot to like about the high-spec mirrorless camera for filmmaking, and of course the SL2 is superb for photography. However, the battery power management has prevented shooting in 4K and 5K reliably, varying depending on the type of lenses used. After making Leica aware of this issue, Leica’s Head of Product Management, Professional Photo System and co-designer of the SL2 Stephan Schulz has been on my case and I have been on his!

The good news is that Leica are investigating the possibility of a firmware update to alleviate the problem and I will be carrying out testing duties for Leica on the video side going forward.

The Leica SL2 battery grip is on the way from Wetzlar and could offer an instant solution, but this needs to be tested. Here we hear directly from Stephan at Leica Camera AG, in this exclusive interview on EOSHD…

Read moreInterview with Stephan Schulz, Leica Camera on the SL2 and filmmaking

Leica SL2 has power flaw – Until fixed I recommend not using for professional 4K shooting

I was very excited for the Leica SL2 and bought mine in December 2019. I have been using it ever since and it is every bit as beautifully designed as the previous model, but this time with high-spec 4K video features, IBIS and an anamorphic 5.5K mode. As usual, I paid the full retail price out of my own pocket and didn’t take a camera on loan. This is something I am now regretting because the SL2 has a major show-stopping problem which effects ALL models out there and isn’t isolated to mine. By the time I was sure of the problem, the 14-day window to return my camera to the retailer had lapsed. I then reached out to Leica in Wetzlar to alert them via my contacts at Leitz Cine lenses. UPDATE: Leica has got back to me and the issues are being looked into – the battery grip is one possible solution and there will be an update on the blog this coming week.

Read moreLeica SL2 has power flaw – Until fixed I recommend not using for professional 4K shooting

Panasonic 8K camera pops up again – now with full frame CMOS sensor

Panasonic’s 8K camera was last seen sporting their Super 35mm organic sensor technology, which remains under development. It can be revealed Panasonic also has a similar camera design with a larger full frame sensor (of the common CMOS type) which leads me to speculate who developed this sensor and what else we may be seeing it in.

Read morePanasonic 8K camera pops up again – now with full frame CMOS sensor

Panasonic S1H gets anamorphic RAW and 6K RAW via HDMI to Atomos Ninja V

Above you can see an advert for RAW on the S1H shot in my home town of Manchester. Coincidentally these streets were where I shot with the Panasonic GH1 for the first time. I have fond memories of 10 years ago in the months leading up to EOSHD’s first blog post, taking my GH1 out on the same streets as featured in the Atomos video. Always great to see how cinematic the city is.

Now at the start of yet another decade, Panasonic is upping image quality again with HDMI RAW on the S1H. What makes this implementation of RAW unique is that it has an anamorphic RAW mode. The Canon EOS R5, 1D Mk III, Sigma Fp and Nikon Z6 aren’t anamorphic enabled in RAW mode.

Read morePanasonic S1H gets anamorphic RAW and 6K RAW via HDMI to Atomos Ninja V

Z-CAM E2-F6 (Full frame 6K) goes head to head with Panasonic S1H (test by Flannel Ninja)

Incredibly close between these two. I have a Panasonic S1H with me at the moment, and am getting to know it. Meanwhile the Z-CAM, I had the briefest of hands-on at IBC and will be posting some footage from it. Both cameras are capable of 6K H.265 internal recording from a full frame sensor, and both are at the lower priced-end of the pro-cinema market.

Read moreZ-CAM E2-F6 (Full frame 6K) goes head to head with Panasonic S1H (test by Flannel Ninja)