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Blackmagic Pocket Cinema Camera 4K

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The increased res on the 4K is pretty obvious as is the S35 difference.

The great this with the BM is shoot it like that and it will look like that...which the F3 wont ever.

Shoot it with a Hyperprime (which I love on the camera) for instance and you'll get a much more similar feel to the F3 images.

Shoot with a Pro-Mist, even more so.

It's not a direct comparison in any meaningful way.

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EOSHD Pro Color for Sony cameras EOSHD Pro LOG for Sony CamerasEOSHD C-LOG and Film Profiles for All Canon DSLRs

Has anyone tried successfully (meaning iris, AF, IS are working properly) a non booster adapter for EF lenses  on BMPCC4k? 

 

I tried Metabones BT2 that with new firmware is ok but noisy on iris especially on older lenses.

I tried Viltrox EF M1 that AF is not working on any lens I tried !!

 

Any other similar try like commlite or Kipon or else ? 

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Posted this at blackmagic as well :

I have stumbled upon this:

https://muxtronics.nl/powerbank.html

if only I could contact the person. Maybe if he receives 50-100 demands, he would take it in production. This powerbank seems like the ideal companion to the p4K : constant voltage, programmable (!), variants with more 18650 cells are possible. The standard form factor is really small, and fits the smallrig powerbank holder perfectly.

I want to order one, have tried contacting, no response yet. I did not find a direct email ...

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19 minutes ago, Yannick Willox said:

Posted this at blackmagic as well :

I have stumbled upon this:

https://muxtronics.nl/powerbank.html

if only I could contact the person. Maybe if he receives 50-100 demands, he would take it in production. This powerbank seems like the ideal companion to the p4K : constant voltage, programmable (!), variants with more 18650 cells are possible. The standard form factor is really small, and fits the smallrig powerbank holder perfectly.

I want to order one, have tried contacting, no response yet. I did not find a direct email ...

Posted here in this specific thread as well:

 

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In another thread, @thebrothersthre3 was discussing a feature he is filming on the P4K. I'm curious to hear more about the project, or more importantly, how the P4K is working on a long form project.

I know you direct as well as shoot, so I guess first and foremost I'd like to know if it's your film, or are you the DP?

Also, do you have a picture of the rig?

What kind of lighting are you using?

And finally, are there any impediments, or have you had any issues, using the P4K for a feature film narrative?

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1 hour ago, mercer said:

In another thread, @thebrothersthre3 was discussing a feature he is filming on the P4K. I'm curious to hear more about the project, or more importantly, how the P4K is working on a long form project.

I know you direct as well as shoot, so I guess first and foremost I'd like to know if it's your film, or are you the DP?

Also, do you have a picture of the rig?

What kind of lighting are you using?

And finally, are there any impediments, or have you had any issues, using the P4K for a feature film narrative?

This project I was camera operator and gaffer. It was mostly lit with 2 Godox 60w LED's and a Pixel 220w LED's, we occasionally used a few other lights as well as natural light of course. Haven't run into any issues. Recording straight to an SSD. I don't have access to the footage but everything I've seen so far looks really nice. We have been lighting things pretty well though.

TFJNO2F.jpg

nmREsIS.jpg

4ruTNTM.jpg

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1 hour ago, thebrothersthre3 said:

This project I was camera operator and gaffer

Cool! Out of curiosity, how did you guys get those jobs when you first started?

1 hour ago, thebrothersthre3 said:

Recording straight to an SSD. I don't have access to the footage but everything I've seen so far looks really nice. We have been lighting things pretty well though.

Nice small set up. It looks tiny on that tripod. And the SmallHD monitor looks tiny on the camera. What lens(es) were you using?

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3 minutes ago, mercer said:

Cool! Out of curiosity, how did you guys get those jobs when you first started?

Nice small set up. It looks tiny on that tripod. And the SmallHD monitor looks tiny on the camera. What lens(es) were you using?

We were using super takumar 28, 35, 55, and 135, I personally get all my work from networking 

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11 minutes ago, The ghost of squig said:

Love the super taks, my second favorite lenses after the Leica-r. Were you using pro-mist filters too?

I was pretty happy with the performance I was seeing out of them. I wasn't really aware of their existence previously. We didn't use pro mist filters. 

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Video from BM (with lots of low-light shots):

Cinematography: Dima Kalenda
Blackmagic Pocket Cinema Camera 6K
Blackmagic RAW Constant Bitrate 5:1
ISO 3200 6K (6144 x 3456) 50 fps
Atlas Orion Anamorphic T2 32mm @ T4 EF mount

 

 

8 hours ago, thebrothersthre3 said:

We were using super takumar 28, 35, 55, and 135, I personally get all my work from networking 

The IQ from the taks is really nice, definitely good lenses.

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9 hours ago, kye said:

Video from BM (with lots of low-light shots):

Cinematography: Dima Kalenda
Blackmagic Pocket Cinema Camera 6K
Blackmagic RAW Constant Bitrate 5:1
ISO 3200 6K (6144 x 3456) 50 fps
Atlas Orion Anamorphic T2 32mm @ T4 EF mount

 

 

The IQ from the taks is really nice, definitely good lenses.

 

I can't believe people like that much crop just so you can have 2x anamorphic.

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The footage looked pretty poor in shadows (watching in 4K on a 32 inch monitor) but that's pretty normal for YouTube compression in my experience.  It's also common practice to add grain in post in order to stop the YT compression from making horrific banding too.  I've seen videos where people de-noised the shadows in their video and the banding was so extreme that it looked more like a psychedelic fractal-trip video than poor video quality.  

I heartily recommend taking some test clips with increasing levels of grain applied and upload that to YT then watch it and see what it looks like once the YT compression has absolutely crushed it.  
I suggest trying 3-5 clips in varying lighting / contrast conditions and having a couple of seconds each, then having about 10 repeats of this sequence of images with gradually increasing levels of grain applied.  I'd suggest a processing pipeline of NR followed by added grain, either from a plugin or just noise, it won't matter much for this test.  And don't make the mistake of not adding enough grain, go from zero grain (so you can see what that looks like) to about three-times as much grain as you think is even sensible.  It might be good to put some text in the video with your settings so that you have a future reference.  I did this test, with the Resolve grain plugin at defaults except the strength pushed up to somethings ridiculous, and just ramped up the opacity of the effect.  The full effect was still far too much, but the sweet spot was about three-quarters of the way up, and the first two thirds was basically identical because the YT compression absolutely killed it.

It's a pity that the P6K video wasn't uploaded to YT in 6K.

2 hours ago, MeanRevert said:

I can't believe people like that much crop just so you can have 2x anamorphic.

Screw that...  I can't believe people go to so much trouble with 2X anamorphic just to get the aspect ratio they could get by just cropping!!  ???

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37 minutes ago, kye said:

 

Screw that...  I can't believe people go to so much trouble with 2X anamorphic just to get the aspect ratio they could get by just cropping!!  ???

Doesn't give you that anamorphic look though 

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8 hours ago, kye said:

The footage looked pretty poor in shadows (watching in 4K on a 32 inch monitor) but that's pretty normal for YouTube compression in my experience.  It's also common practice to add grain in post in order to stop the YT compression from making horrific banding too.  I've seen videos where people de-noised the shadows in their video and the banding was so extreme that it looked more like a psychedelic fractal-trip video than poor video quality.  

I heartily recommend taking some test clips with increasing levels of grain applied and upload that to YT then watch it and see what it looks like once the YT compression has absolutely crushed it.  
I suggest trying 3-5 clips in varying lighting / contrast conditions and having a couple of seconds each, then having about 10 repeats of this sequence of images with gradually increasing levels of grain applied.  I'd suggest a processing pipeline of NR followed by added grain, either from a plugin or just noise, it won't matter much for this test.  And don't make the mistake of not adding enough grain, go from zero grain (so you can see what that looks like) to about three-times as much grain as you think is even sensible.  It might be good to put some text in the video with your settings so that you have a future reference.  I did this test, with the Resolve grain plugin at defaults except the strength pushed up to somethings ridiculous, and just ramped up the opacity of the effect.  The full effect was still far too much, but the sweet spot was about three-quarters of the way up, and the first two thirds was basically identical because the YT compression absolutely killed it.

It's a pity that the P6K video wasn't uploaded to YT in 6K.

Screw that...  I can't believe people go to so much trouble with 2X anamorphic just to get the aspect ratio they could get by just cropping!!  ???

i'm pretty sure there is some kind of mr smith artificial intelligence residing on the dark web whose only function is to crush anything sent youtubes way ?

back on topic, i have to wonder, to me it looks wider than the normal 2.40 aspect ratio. The black bars top and bottom look too wide for me, maybe i am wrong. I presume that was a styling choice perhaps ?  i do enjoy the anamorphic look but i think maybe that was too wide.

i really liked the first 15 seconds, i think its time to revisit some scenario that involves matches, empty drums and some suitable substances that are a little bit volatile. Of course It will have to wait till the current fire season and total fire ban is over however. better pencil something into the diary ?

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2 hours ago, leslie said:

i'm pretty sure there is some kind of mr smith artificial intelligence residing on the dark web whose only function is to crush anything sent youtubes way ?

back on topic, i have to wonder, to me it looks wider than the normal 2.40 aspect ratio. The black bars top and bottom look too wide for me, maybe i am wrong. I presume that was a styling choice perhaps ?  i do enjoy the anamorphic look but i think maybe that was too wide.

i really liked the first 15 seconds, i think its time to revisit some scenario that involves matches, empty drums and some suitable substances that are a little bit volatile. Of course It will have to wait till the current fire season and total fire ban is over however. better pencil something into the diary ?

I just conducted a very thorough analysis (I measured the height and width of the thumbnail image above with the screen capture thingy) and it was 3.334 so yes, somewhat wider than normal!

The Atlas Orion Anamorphic T2 32mm they used is a 2X, and if you film 16:9 that's 3.55:1 and 16:10 it's 3.2:1 so maybe they did 16:9 with the lens and then cropped the edges a little?

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9 minutes ago, kye said:

I just conducted a very thorough analysis (I measured the height and width of the thumbnail image above with the screen capture thingy) and it was 3.334 so yes, somewhat wider than normal!

The Atlas Orion Anamorphic T2 32mm they used is a 2X, and if you film 16:9 that's 3.55:1 and 16:10 it's 3.2:1 so maybe they did 16:9 with the lens and then cropped the edges a little?

3.55.1 or thereabouts sounds about right. it looks like your on to it ? from the little i have done with my elmoscope it looked too wide or the black bars were too wide to be the more popular 2.40. If popular is the correct word.

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