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    • Obviously paid firmware upgrades have been a thing since the Gh4 days...but a subscription model is so annoying.
    • RIP us actually getting to use what we own lol.  Yes Arri is amazing, yes the Alexa 35 is wonderful, yes these prices are totally fine for large film groups or people renting.  But now Arri is putting some features as "upgrades" such as Anamorphic desqueezing and ArriRAW support...and yes, they offer these in weekly/monthly subscription models...hoping this does not trickle down into future cameras that are much more affordable.  Sick of subscriptions.
    • Over the past decade I've been a part of thirteen independent micro or no-budget budget films.  Five of which I'd actually feel comfortable enough to show to strangers and say, "I've done this."  It's weird because I've never been too precious about IQ. My personal-tech-craft-sloppiness-indifference does show in the final product, but only if you're looking real hard (at least I think so). I kind of want to be better, but I also don't really feel a strong pull to eek out that extra little juice, you know?  I'm more interested in trying to shape a story by putting a bunch of note cards on the wall in the writer's room. Anyway, I've held tight to my LUMIX cams since the 20-teens.  Also have an Oly cam.  Haven't bothered to upgrade much.  I know I'm missing out on the latest and greatest, but when I look at stuff a decade old vs. the film I just finished, and I think they both look a-okay, I guess I'm just not the type of filmmaker that's eager to change gear. Anyway, if anyone wants to see those five films I mentioned, let me know.  I've posted them here before, but can share anew.
    • A logical move I ‘d say. Better to have just one brand. I’d love the S1ii but I don’t see it being up to the task of events snd weddings during the Spanish summer. A shame but it makes me realise what a bargain I have with my S5iis.
    • EH FILMS gave an interesting take on the GH7:  
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