Panasonic LX100 first impressions review and 4K footage

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For those who find video very lacking on small cameras especially the Fuji X100S and X100T, Panasonic now have a high end retro-styled compact with 4K video. The sensor and EVF come from the GX7, which in turn is quite close to the GH4 in performance terms. We are talking a gigantic sensor here for a compact, larger even than the 1″ sensor of the Sony RX100 M3. As well as…

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SLR Magic 2x Anamorphic – my footage and first impressions

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What informs the film look? Of all the technical aspects that do, I think it comes down to three key ingredients. 24p, a wide dynamic range and a 2x anamorphic lens. I and many other filmmakers chase that look. Well, I’ve just returned from Photokina in Cologne, Germany with a surprise. 2 years on from my first visit to SLR Magic at Photokina in 2012, they are back with a 2x anamorphic lens in 2014. This lens has…

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Reviews
Creative Filmmaking
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Why you’re better shooting video in stills mode on the Sony A7S

After a while now shooting with the Sony A7S (final part of my review coming soon, review part 1 here) I have found it’s better to shoot video outside of the Sony movie mode on the dial. Here’s how to set up the M stills mode on the dial for movie…

Lenses
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World premiere – SLR Magic APO 50mm T2.1 PL mount cinema lens

Hong Kong, China (September 12, 2014). SLR Magic will present a new CINE lens to the public from the APO-HyperPrime lens family in the upcoming Photokina 2014 fair in Cologne at the SLR Magic booth (Hall 5.1, L-011). The SLR Magic APO-HyperPrime CINE 50mm T2.1 is the first lens of the…