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    • It reminds me of the early dot com bubble and all the junk websites and businesses. All the junk side of AI is going to get swept away later this year when the market crashes.
    • All of the above. I think that the lessening of detail forces my brain to "fill in the blanks", making it more of an interactive set for me. And I have an emotional response to an espresso machine, which I usually wouldn't. Curious, does the front element rotate when focusing on this? I've held the same position for years but lately I've been learning to like it. Hard-edged bokeh is one of the big differentiators between modern and vintage glass.
    • Today I tested the Voigtlander 42.5mm and Helios 58mm F2.0 lenses with the Sirui 1.25x adapter. GH7 >> Voigtlander 42.5mm >> Sirui 1.25x adapter.. Wide open at F0.95: ...and more stopped down (I didn't have enough vND for this much light): GH7 >> M42-M43 Speedbooster >> Helios 58mm F2.0 >> Sirui 1.25x adapter There's a certain look to the Helios, but it's hard to separate it from the changing lighting conditions, and I wonder how much of the differences could be simulated in post too..  reducing contrast by applying halation / bloom, softening the edges, etc. In pure mechanical terms the Voigts go much better with the Sirui, and the extra speed is really handy, so that will probably be my preference over the Helios.
    • Thanks.  If you like contrasty light, my next batch of images should please you! What is it about them you like?  Is it how imperfect / degraded they are?  They certainly have an incredible amount of feel, that's for sure. This zoom is the Tokina RMC 28-70mm F3.5-4.5 and I understand these were held in reasonably high regard back in the day, so it's potentially not a disaster, although I'm not sure that it's the sharpest / cleanest vintage zoom in the world. Looking back at the initial set of images I posted in my first post, this seems to have gotten the closest with the softness of the OOF areas and the CA / colour fringing etc.
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