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Blackmagic brings genlock to the iPhone 17 Pro, while Apple’s first ProRes RAW goes straight to your pocket... 1 2 3
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Grant Petty on the future of DaVinci Resolve Studio pricing: "We'll probably eventually charge some kind of upgrade for this." 1 2
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By Andrew Reid · Posted
That's a terrible result from the Alexa 🙂 -
By Marcio Kabke Pinheiro · Posted
Nope - the dial works different on different cameras. In the X-M5 and X-T50, the FS positions only works with a chosen Film Simulation plus a general color setting for ALL the positions of the dial. You can´t create a custom setting for each FS position. In the X-E5 and X-T30 III you can store different color settings (Color Chrome Effect, tone curve, color, sharpness etc) for each of the FS positions - Fuji even created a "recipe" menus for each FS position. My X-S20 have a unlabeled dial, that comes as a Film Simulation by default, but don't have FS "positions". For all the cameras, is just a firmware update away. It involves a lot of steps (choosing the photo, opening the menu, and I don't know if in this menu now you can choose a recipe - at least in my X-S20, you can only choose the original Fuji Film Sims). People that use repcipes (like me) don't want anymore to waste time editing and converting photos (yes, I was a RAW only shooter not a long ago - I still save the RAWs too). -
By John Matthews · Posted
I'm not sure of the practicality of sensor processing/detail tests at 120fps. Who watches much more than just a short clip? The only exceptions I can think of are in Clockwork Orange and Billy Elliot- both shot on film. I had a look at the GH7 test at 100fps and 120fps. It looks better than both the Sony A1 and Lumix S1r ii. For reference, here's the Alexa 35 at 120fps: -
How does the stabilisation stand up on the Nikons and Sonys compared to Lumix? It’s such a huge plus for me when covering events etc -
No reason that the iJustine channel can't publish a great video..... Well done to the film-making team that created it: Strange that there's no credit for editing. Maybe that was also Nathan. Well done to Apple for creating a phone that can produce results like this when used competently. Any YouTuber with the desire and sufficient resources should be able to replicate such a thing. It is a nice example of what the tech can do when used correctly by competent film-makers. The night shots were pretty good. I've found it to have impressive DR and low-light capabilities, but this was slightly more than I was anticipating. Those areas of Tokyo are probably quite well lit though, and I bet there was a healthy dose of NR in post for select shots. The results are still good though.
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