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    • I understand that the grip of the Z6 III holds the battery.  Judging by pictures, it also holds the memory cards - which includes a UHS-2 full-size SD card instead of a UHS-1 micro-SD card like the ZR has.  Oh, and you can also change the cards while the camera is on a tripod or gimbal. I had no idea that mirrorless cameras couldn't be used without a gimbal.  That's quite a limitation. Without being aware of it, I've been using mine mostly without a gimbal for a while now. You know the microphone is supposed to point toward the front of the camera and not the back, right?  That should reduce the risk of poking out your eye with it when holding up the EVF.   😉 Anyway, the Z6 III has a screen that is still pretty decent-sized at 3.2". From your description, it sounds like your needs could be better met by using a Black Magic Cinema Camera 6K instead of a Nikon ZR.  The BMCC has a bigger rear screen at 5".  The EVF is optional so you won't need to use it if you don't want to.  While L mount isn't quite as versatile as Z mount, it's still quite good.  The BMCC6K also has 2 mini-XLR mic inputs which can be used along with the internal mics for 4-channel audio.  If you want smaller files, you can increase the compression ratio for BM raw.  Even at the maximum compression on the UC12K (12:1, I think?), it still looks very good.  I usually use the Ursa at 8:1 except for VFX shots where I go up to 5:1. The main limitation against the ZR is that the BMCC is a bit bigger and heavier.  But as a person who wants "the best back LCD I can have," the BMCC blows the ZR and its puny 4" screen out of the water.  You'll also get a full-size HDMI port and not a garbage micro-HDMI port in case you want to connect to an even bigger 7" screen.
    • The difference might seem small in specs but it's a 25% increase in area and 50% increase in display pixels. If making the display still larger, the camera would need to increase in size, and the balancing of the current size on a gimbal is easier than a taller camera such as the Z8 or Z9. Rigs get bigger, gimbals get bigger, total weight of the working setup goes up. I think it's a very good compromise in this aspect. 
    • The ZR is small and lightweight for a full-frame camera with such a large and high resolution back display. The ZR body is 22% lighter than the Z6 III. The hand grip of the Z6 III is not just a grip, it houses the battery which is in a different orientation in the ZR. The large diameter Z mount also places constraints on how small the camera can be. To me it is difficult to imagine how one would make a still smaller camera body that has in-camera VR and a 4" or larger display.   Why is the size of the LCD important? I want to clearly see what I am shooting without touching the camera (potentially shaking it). EVF use on mirrorless cameras is often not practical as it's fundamentally incompatible with gimbal use, and also many shotgun mics like the MKE 600 would not make it possible for me to use a viewfinder. Thus I want the best back LCD I can have for video applicarions. I do want the camera to produce practical files as well  and hope Nikon can do something about it. I am not surprised it takes them some time, but hopefully within 2026.
    • Quick update on RAW → H.265 export: The RAW side can stay full resolution and 60 fps, but I hit a Qualcomm encoder issue on the proxy/export side. The `c2.qti.hevc.encoder` accepts `2160×2880 / 60 fps`, but after the first frame it returns `UNKNOWN_ERROR`, followed by Android’s misleading “Released state” message. So it does not look like an AAC or RAW/DNG problem — more likely a hardware encoder limit/bug with that portrait HEVC configuration. I’m testing possible workarounds, especially encoding the same frame as `2880×2160 / 60 fps` landscape, but the safe fallback is to keep RAW at 60 fps and export H.265 as smooth 30 fps by taking every second frame.
    • RawLogCam RAW frame + IT8 TRC vs Motorola native video app. RAW is very life like on HDR screen.
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