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Yep that's the kind of intermediary codec that the ZR needs. But only if Nikon doesn't cook it with that aggressive noise reduction. You know the drill, Fuji had similar issues I seem to remember you pointing out. Thing is, I don't buy cameras based on promised or wishful features anymore. Been burned too many times waiting for "coming soon" updates that arrive late, incomplete, or not at all. So as of right now, the ZR is off the table for me. It's not just the codec situation though tbh, the unreliable view assist/exposure tools and first gen quirks also give me cold feet. Good to know LT is officially on the roadmap, though.. great for early adopters but I think I'm done gambling on "maybe later". -
Just scored this Petit Cinevision 1.5x baby anamorphic -
By empedocles · Posted
No, I have a GH5s, but I'd like to upgrade, as I need PDAF among other things. -
By Ilkka Nissila · Posted
R3D NE data rate is about 2x of that of N-RAW Normal, which in turn is 2x that roughly expected of Prores 422 LT 4K which is coming to the ZR in a firmware update according to Nikon. So you can get a 75% reduction in data rate compared to R3D NE in a 4K 422 format in the future. Would this be enough to make the camera practical for you? Another possible help is if video editors will be able to make shortened R3D NE files (after cutting) in the future, to save storage space. I imagine this is just a matter of time, if the camera is popular, it will probably be implemented. -
I'm glad Mr Burling replied. I was always happy to watch his stuff, always felt hand made with a touch of love. Bit like Nona's home made tomato sauce... You always new you were in for a treat. The man had a talent for finding interesting lenses and using them in ways i wouldn't consider. I own a couple of lenses, thanks to him and i do try to emulate him as i can. So thank you for the artistry and the knowledge you shared, and good luck for the future.
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