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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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y'all have to ask the paycheck 'cause I'll end to buy this one, it's almost impossible not... :- ) -
By John Matthews · Posted
Here's what Mathieu Stern had to say about his experience: -
By John Matthews · Posted
Well, for rigging it, maybe. The camera is just so small and the mount isn't supposed to have more than a 250g lens on it. Those Meike lenses are 540g at a minimum. And just to clarify, I really don't see the ILS as a photo-first camera, unless you're taking 8k screen grabs. The interface sucks for the most part too with only 2 physical buttons and a tiny LCD (albeit decent). You don't even get a histogram out of the box- they need to fix that. -
Latest RedCinex Pro beta has the R3D NE trim and it works! Just open the clip in RedCinex Pro, set IN and OUT points in viewer, select export, export Clip in viewer, Format R3D Trim, check output location and export. Not like Resolve but not hard either. Already trimmed one almost full 4TB 990 Pro to few hundred GBs of important data🙂 -
If this camera lacks a mechanical shutter, the Metabones BMPCC 0.64X speed booster is an obvious choice (as long as it doesn't hit the sensor filter). Also, the excellent Meike M4/3 cinema line that bottoms-out at 8mm is worth consideration. Meike has still versions of these lenses, but they seem to be the same price as the cinema versions. I only wish this camera had a way to sync strobes.
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