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    • Interesting that WB is placed before De-bayer. Photographers call it "white balance scaling" and prefer it not to be done by manufacturer, since its digitally boosting channels, which is irreversible process. After all its not like all things they're doing is science. Some decisions are just an engineer thinking its the best compromise. 
    • Great to see it's still being used at this level. Looking at the linked image from above, I much prefer the handheld setup! I really wish someone would revive the same form factor and Kodak CCD sensor. Is it really doomed to be a one off? Can the same look ever be revived with a modern CMOS sensor? I have my doubts!
    • I have a GM5 and I'd love Panasonic to update it but the market usually always chooses "more features" over "tiny size" when given the choice. The Sigma Fp got slammed for no EVF, no IBIS. The Panasonic S9 gets passed over for being too limited, even though it's a similar spec to the S1H, with better AF! And with their 1 inch stuff like the LX15, nobody really bought it... all preferring RX100 VI etc, despite the fact the LX15 is one of the best compacts ever made with an F1.4 lens. If Panasonic made a mistake with the L10 it's the lack of a prime lens version to go after the X100 crowd. I also sense the age old marketing problems again with Panasonic. In Berlin, my local camera store (a very significant and long running one) has a Panasonic rep who is there very frequently, almost on a weekly basis. Panasonic have not even briefed him on the L10, let alone got a demo unit out for him to show to customers. Camera companies need to learn the marketing basics. If your strategy is to build hype around a big orchestrated online launch, have the camera in shops the next day, strike while the iron is hot. Why do the launch and actual release months apart and have nothing to sell?
    • I’d also make sure not to skimp on storage speed - having a fast NVMe drive for your active projects and cache files can make a surprisingly big difference to overall responsiveness, especially when working with larger footage formats.
    • Emily talks about the L10 and MFT small cameras: The main point I took from this made complete sense to me.  New cameras need to have new specs, new specs means current sensors and they need more power (both for the sensor and also processing much more data), and therefore there is more heat and larger batteries are required, therefore the chassis just needs to be larger. I note that camerasize.com now has the L10 in their database, so that means we can get comparisons! It is larger than the LX100, but not by a crazy amount...   Emily did note that it's not pocketable, but also that after carrying it around Japan for 10 days she didn't feel that it was heavy or bulky at any point, so I guess there's a distinction there between pocketable and it feeling large / cumbersome / etc. It's also interesting to compare to the S9: Obviously the S9 needs a lens (unless you're an abstract filmmaker!) but the purpose of the comparison is that the S9 is a FF MILC camera with IBIS and the body is slightly narrower(!) than the L10, and the same height.   So, I see no reason there couldn't be a GX100 in the S9 body as it would be the same except with a smaller sensor. Obviously the depth is different, but that is lens dependent, and anyway, if it's not pocketable then it's down to how large it is when it's in use, and at this point it seems the L10 grows more than Pinocchio running for President: I'm sort-of hoping for a GX100 as it would be extremely tempting, and also hoping it won't happen, as it would save me from being extremely tempted, and draw my attention away from my GX85 that (apart from it gradually turning into a film camera) I am remembering how much fun it is to use!
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