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Internal 32-bit float stereo paired with lossless 120mm reach from a 20mm lens — all inside a genuinely pocket-sized 10-bit 1-inch sensor gimbal camera? 1 2 3 4
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By Eric Matyas · Posted
Hey everyone, please be sure to check out my Game Music Mega Pack. The pack contains over 1460 music tracks (looping and non-looping) in my most popular game music genres. You can download all of them at once...a huge time-saver. Here's the link: https://soundimage.org/ogg-game-music-mega-pack/ That said, it was another very busy week, but I did manage to create a new music track to share with the community: "DRIFTING BEYOND PLUTO " You can listen to it here: https://soundimage.org/wp-content/uploads/2026/09/Drifting-Beyond-Pluto.ogg And download it here: https://soundimage.org/sci-fi-15/ It's completely free to use with attribution, just like my thousands of other music tracks, sounds and images. Enjoy! 🙂 -
Completed filter holder V1..... It's far more compact than anything else I've seen that fits anything other than a naked iPhone, which is important because if my phone is a huge rig then I may as well be using a "real camera" and if I can't fit the whole thing in my pocket then that means carrying a bag and (once again) I may as well be bringing a real camera. I cut up some 2mm aluminium sheet to bridge the gap between the two sections of the Tiffen and epoxied it in place. Then I added another layer of 0.22mm aluminium that was painted black (that I ordered by mistake - thinking it was 2mm) to cover it up and give it a semi-nice finish. I did a bit of filing around the edges and added some black nail polish to tidy up the edges, and finally put a pop-socket holder on it so I can hold it a bit more securely. This is how I typically hold my phone when shooting, it's nice and stable and it gives me a good grip. The case is super grippy, so I'm optimistic that it'll work well. I deliberately called it Version 1, because after discovering how easy it was making this one I'm thinking that version two should be a custom one designed from the ground up. After all I have all the tools and plenty of spare materials. I'm thinking I might have a ring of rare earth magnets set into the sheet, and I'll base it on a step down ring that's stepping down from a few sizes above so it's got a bit of material in it. Hopefully I can create something that attaches really well and is still nice and slim. -
By HockeyFan12 · Posted
How bad is the dynamic range on this camera? Particularly the highlights? (I tend to just rate at base ISO and shoot traditionally rather than ETTR.) I was hoping Red's highlight recovery (which isn't that great imo as you lose all color information) would help, but it seems to be disabled in RedCineX? I had sworn off new cameras but I sold my old ones and might need something for work. -
I wonder if it will ever get the 'Red-lite' raw codec 'everyone' wants... If that ever happens, what a fucking camera it would be. -
Same year, same colour. Also 2x S9 (though my red one, the audio no longer works after I dropped it) + 3 other LUMIX bodies and 11x L Mount lenses...except I am giving away one of them, another is broken (dropped that also!) and 4 are being sold. Ditto and my workflow is much better for that and actually, I genuinely like the SOOC look I am getting from my specific set up so all good. Even better with the S1Rii as it works in full-frame 50p 🙂 These really are awesome tools to have and my only gripe is there still isn't a lens to match the Tamron 35-100 f2.8 or Sony 50-150 f2. Yes I know there is that tub of lard Sausage 35-150mm f2/2.8 but nah. It would almost be worth it for me to flip systems next year just for that 50-150... I'd like to see a 'Nikon ZR' version of the S1Rii with the rear LCD mech also off the S1Rii, but possibly wishful thinking territory now...
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